粉絲字幕的地域差異—達達主譯與字幕組的異同

Abstract

過去國內粉絲字幕相關的文獻多著重在中國字幕組，或是字幕組字幕品質好壞，未對國內的網路字幕文化加以著墨，因此本論文旨在跳脫以往研究的主題框架，選取台灣英文影視網路字幕翻譯文化中具有一定影響力的達達主譯，藉由比較達達主譯與中國字幕組兩者特性，探討兩者的差異，找出達達主譯的特色，進而描述其反映出的台灣網路字幕文化。 中國字幕組與達達主譯在組織規模上雖相似，然而鑑於兩地網路生態不相同，字幕組與達達主譯在組織運作、字幕作品格式等各方面展現的特性也截然不同，反映出台灣與中國的網路字幕文化也不甚相同。本論文將從興起背景、組織運作、影視文本三方面剖析達達主譯的特色，並以搜集到的文獻與第一手資料作對照，試著歸結出台灣網路字幕文化的特性。

The previous literature on fansubbing has focused mainly on Chinese fansub groups or the qualities of their fansubs, leaving Taiwan’s online fansubbing practices untouched. This master’s thesis aims to find the characteristics of Dadas translation community, which exhibits a significant presence among Taiwan’s online fansub communities of English programs and videos. The thesis also attempts to describe the features demonstrated by Taiwan’s online fansubbing culture reflected through the attributes of Dadas translation community. The thesis sorts out characteristics of Dadas translation community by comparing its traits with general traits of Chinese fansub groups as well as analyzing the differences. Dadas is similar to Chinese fansub groups in terms of community scale. However, Dadas and Chinese fansub groups have different characteristics in many aspects such as community operations and fansub formats, owing to their distinctive Internet environments. The varying characteristics of the two kinds of fansub communities reveal the fact that Taiwan’s online fansubbing culture is different from that of China. The thesis begins with investigating Dadas’ characteristics in terms of three aspects—the development background, community operations, and audiovisual texts. Then the thesis also attempts to depict attributes of Taiwan’s online fansubbing culture from the analysis, the related literature as well as the first-hand interviews the writer collects.