以《耳朵帶我去旅行》專案為例探究流行音樂製作

Abstract

明眼人以視覺為主感受旅程，而視障者則手持白手杖一路向前，靠著聽覺感受異地風情。視障音樂人王俊傑藉著旅行體驗人文風景，用音符記錄過程，發表《耳朵帶我去旅行》本研究專案內容。 《耳朵帶我去旅行》專案將分別產出紀錄片、全新創作專輯10首歌曲、音樂錄影帶以及黑暗音樂劇。紀錄片呈現方式僅採用王俊傑個人的視角來敘述紀錄，排除過多渲染的拍攝手法。 唱片製作須先決定歌手的定位、專輯的方向，才能蒐集素材為專輯的歌曲決定風格，待歌曲編曲（Arrangement）、錄音（Recording）工作完成後進行混音（Mixing），最後母帶後期處理（Mastering）則是將所有完成混音的歌曲，做整體性的平衡調整。 《耳朵帶我去旅行》黑暗音樂劇表演場地分為兩類，一為容納觀眾數較少的定目劇，共演出11場次。另一為觀眾席次較多的中型表演場館，共演出3場。

Most people enjoy the journey by vision, while the visually impaired hold a white cane on hand all the way forward, relying on listening to sense the scenery from a different place. Wang Jun-Jie, the visually impaired musician experienced the humanities and landscape through travel, captured the process with musical notes, and published these multiple contents of this project"Ears Take Me to Travel". This project produces including documentaries, brand new album with 10 songs, music videos, and the musical "dialogue in the dark". The presentation of documentary only uses Wang Jun-Jie's personal perspective to narrate his own experiences, rule out the excessively rendering shooting techniques. Album production must first determine the position of the singer and the direction of the album, so that materials can be collected to find the correct style for the songs in the album. After the song arrangement and recording work are completed, the mixing is performed. Finally, the mastering post-processing is to adjust the overall balance of all the songs that have been mixed. Musical performance venues are divided into two categories, one is a repertory theater with a small audiences, and 11 performances in total. The other is a medium-sized performance venue with a large number of audiences, with a total of 3 performances.