傳唱與想像—戰後臺灣流行歌曲中的臺灣形象（1945-2016）

Abstract

本論文以戰後臺灣本地國、臺語流行歌曲中的臺灣形象作為研究主題，流行歌曲是大眾流行文化流露常民心聲的直接代言者，透過流行歌曲的創作與傳播作為反映與建構臺灣形象之媒介，流行歌曲藉由音樂旋律賦予情感的傳達，其渲染力、影響力更勝於其他報章媒體、文學作品的書寫。

戰後歷經戒嚴、退出聯合國、與美國斷交、解嚴、政黨輪替，各個階段的臺灣流行歌曲創作者分別以反映國家社會現實及建構理想化的國家，來形塑不同階段的臺灣形象。

國、臺語流行歌曲從戰後初期到戒嚴，劃分出外省、本省，二種不同省籍的語言代表著流行歌曲市場的取向，國民政府推動中華文化復興運動以國語為尊，打壓臺語、客語、原住民語等「方言」，國語流行歌曲取代臺語流行歌曲來主導臺灣流行歌曲市場，臺語流行歌曲在「弱勢」的狀態下，建構出以臺灣本島為主體的形象歌曲，力抗臺灣成為「一個中國」附屬下的復興基地。

本論文透過歌曲資料的蒐集、文獻回顧，分析歌名、歌詞中以「臺灣」為主題的作品，整理、分析出關於流行歌曲所建構出的臺灣形象，並探討臺灣形象被建構、形塑之背景、目的，盼能透過歌曲所傳達的精神，建構部分以「臺灣意識」作為主體性的目標。This dissertation studied Taiwan images through the local Mandarin and Taiwanese popular music of post-war Taiwan. Popular music, as a part of popular culture, reveals the public’s thinkings and feelings. The composition and distribution of popular music reflected and also built Taiwan images. Comparing to the press and literature works, popular music is more powerful in expressing emotions and thus has more influences. In post-war Taiwan, through the imposition of martial law, withdrawal from the United Nations, broken off with the U.S., the lift of martial law and party alternation, composers in every period shaped different Taiwan images by depicting the reality of society and the ideal of the country. In post-war Taiwan, the Mainlanders and the Taiwanese represented different orientations of popular music. The Nationalist government restrained dialects and guided the popular music market by Mandarine songs. In other hand, Taiwanese popular music, confronting Taiwan as a base to recover the Mainland China, put Taiwan Island as the subject in popular songs.

In order to sort out the Taiwan images in popular music, this dissertation collected songs, lyrics and relevant studies to analyze “Taiwan” as the subject in the titles and lyrics and to research the backgrounds and purposes of the formation of the Taiwan images.