何謂「幻想變奏」？—談理查‧史特勞斯的《堂吉訶德》
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2009
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《堂吉訶德》是塞萬提斯(Miguel de Cervantes Saavedra,1547-1616)的文學名作，理查‧史特勞斯(Richard Strauss,1864-1949)在1896/97年間以題材，創作交響詩《堂吉訶德》，此曲以變奏曲的曲式呈現，共有十段變奏，不包含一開始的「引子、主題」與結尾的「終曲」部份。不同於一般以「單一」主題做為變奏基礎的變奏曲，史特勞斯譜寫了三個主題旋律，分別代表塞萬提斯原著中的三個主角：堂吉訶德(Don Quixote)、桑丘(Sancho Panza)與杜爾西內婭(Dulcinea)。
本論文在第一章的緒論後，將在第二、第三章解析三個文學主角與音樂主題動機的使用情形及變奏手法；第四章以配器為核心，探討故事場景與作曲思維的關連性。第五章延續前四章的脈絡做結論，試論何謂「幻想變奏？」，並且探究此曲的曲式，了解作曲家的「新形式」理念。
Don Quixote is the most famous novel of Miguel de Cervantes Saavedra, and Richard Strauss wrote the symphonic poem Don Quixote in 1896/1897.This work is presented by“Variation”,which included 10 Variations and Introduction、Theme and Finale.Differ from other Variations,Richard Strauss has wrote three melodies to stand for three roles: Don Quixote、Sancho Panza、Dulcinea. After the foreword of chapter I,chapter II and III will analyze the three themes how to be used and change in all variations;chapter IV will probe into the story-scenes and composed ideas around instrumentation.Chapter V will try to sum up Chapter I-IV and discuss「what is fantasy Variation ?」or forms of Don Quixote,in oder to understand Richard Strauss’s thought of「New form」.
Don Quixote is the most famous novel of Miguel de Cervantes Saavedra, and Richard Strauss wrote the symphonic poem Don Quixote in 1896/1897.This work is presented by“Variation”,which included 10 Variations and Introduction、Theme and Finale.Differ from other Variations,Richard Strauss has wrote three melodies to stand for three roles: Don Quixote、Sancho Panza、Dulcinea. After the foreword of chapter I,chapter II and III will analyze the three themes how to be used and change in all variations;chapter IV will probe into the story-scenes and composed ideas around instrumentation.Chapter V will try to sum up Chapter I-IV and discuss「what is fantasy Variation ?」or forms of Don Quixote,in oder to understand Richard Strauss’s thought of「New form」.
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理查‧史特勞斯, 堂吉訶德, 變奏曲, 幻想變奏, Richard Strauss, Don Quixote, Variation, fantasy Variation