歐柏拉都思 《西班牙古典歌曲第一冊》之分析與演奏詮釋

Abstract

歐柏拉都思（Fernando Jaumandreu Obradors, 1896-1945）在西方音樂史上並不是一位會被世人所熟知的音樂家，往往人們談到西班牙音樂家會想到葛拉納多斯（Enrique Granados Campiña, 1867-1916）、阿爾班尼士（Isaac Albeniz, 1860-1909），及法雅（Manuel de Falla, 1876-1946）等人，但他的《西班牙古典歌曲第一冊》（Canciones Clásicas Españolas, Vol. 1）卻有著極高的傳唱度，且於聲樂和鋼琴都有許多可發揮之處，因此筆者才想藉此機會深入探討。本論文共分四章節，第一章為緒論，闡述此報告之研究動機及筆者所期望撰寫完成後自我的提升及後輩的研究參考；第二章為文獻探討，概述西班牙歷史發展、西班牙音樂發展、歐柏拉都思的生平及其創作風格介紹；第三章為樂曲分析及詮釋，將分析《西班牙古典歌曲第一冊》中的七首曲目，並以鋼琴合作者的角度分析樂曲、詩詞與音樂的關係，並就歌詞意境、和聲變化、音量之平衡等要點切入，詮釋樂曲；第四章為結語，將前述之詮釋要點彙整、總結。

Fernando Jaumandreu Obradors（1896-1945）is not a widely known musician in Western music history. When people talk about Spanish musicians, they often think of figures like Enrique Granados Campiña（1867-1916）, Isaac Albeniz（1860-1909）, and Manuel de Falla（1876-1946）. However, Obradors' "Canciones Clásicas Españolas, Vol. 1" has achieved great popularity, with numerous opportunities for performance in both vocal and piano contexts. This paper aims to explore Obradors' work in depth. The thesis is divided into four chapters. Chapter one serves as an introduction, discussing the research motivation and the author's aspirations for personal growth and providing a reference for future researchers. Chapter two reviews the literature, providing an overview of Spanish historical andmusical development, as well as an introduction to Obradors' life and creative style. Chapter three focuses on musical analysis and interpretation, analyzing seven pieces from "Canciones Clásicas Españolas, Vol. 1" from the perspective of a piano collaborator. The analysis delves into the relationship between the music and lyrics, poetic ambiance, harmonic changes, and balancing of dynamics to interpret the music. Chapter four concludes the thesis, and summarizing the key points discussed throughout.