豔與情——明代文言小說合集的女性想像

Abstract

本論文以豔與情為關鍵􏰃，分析明代文言小說合集的女性想像。在章節安排上，試圖呈現從外到內、從整體性分類到個別性觀點的過程。 第一章說明研究動機與目的。 第二章從分類方式分析明代文言小說合集的編輯意識。 第三章則從內部拈出編者在編輯時可能著意提出的女性議題，進行概略式勾勒。 第四章提出《豔異編》所代表的「豔」視角與女性的連結，並指出其後文言小說合集對「豔」的重審與定位。 第五章指出《情史》所代表的「情詮解」，女性成為「情詮解」的正面舉例。 第六章、第七章則挑選三類從「豔」視角到「情詮解」觀點轉移過程中，有較明顯變化的道德女性、妓女和女俠進行分析。

Beauty and emotion are the keywords of this paper. This thesis analyzes the female imagination in the Collection of Classic Novels in Ming Dynasty. The chapter arrangement of the thesis is based on the process from outside to inside, from overall classification to individual viewpoints. The first chapter explains the research motivation and purpose. Chapter 2 analyzes the editing consciousness of the collection of classical Chinese Novels in Ming Dynasty from the classification method. Chapter 3 analyzes the female issues raised by the editor during editing. Chapter 4 points out the"yan" viewpoint of "Yan Yi Bian". The connection between the "yan" view and women. Later Reexamination and Positioning of "Yan" in the Collection of Classical Chinese Novels. Chapter 5 points out the "emotional interpretation" represented by "History of Love". Positive examples of women becoming "emotional interpretations". Chapter 6 and Chapter 7 select moral women, prostitutes, and heroines for analysis.