台灣原住民族泰雅族語電子音樂創作－以《isu' kayal 蘇凱燕 - Tgliq》專輯詮釋報告
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2024
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1992年一股世界音樂旋風席捲全球，從1992年法國音樂團體Deep Forest取樣民族話語的首張專輯：《Deep Forest (World Mix)》引領了我們聆聽World Music世界音樂，或者稱為(Ethnic Electronica)。緊接著，以葛利果吟唱〈Sadeness (Part I) 〉(專輯：MCMXC a.D.）出道的德國樂團：Enigma，在1993年取樣台東馬蘭部落耆老郭英男 Difang Duana與妻子郭秀珠 Igay Duana演唱的〈老人飲酒歌〉音檔，成為歌曲：〈Return to Innocence返璞歸真〉，1996年被美國亞特蘭大奧運會選為大會主題曲，都開拓了研究生的眼界，並且開始著手蒐藏各地民俗音樂素材，結果發現世界上最遠的距離就在身邊。研究生於2019年成立泰雅族語電子音樂團體：「isu’ kayal 蘇凱燕」，結合泰雅族妻子Lomuy Behuy 陳凱倫與泰雅族女歌手Suyang蘇婭，創作泰雅族語電子音樂。本篇論文主要以筆者所統籌、建立、製作之泰雅族語專輯《isu’ kayal 蘇凱燕 - Tgliq》為例，分析專輯企劃、詞曲創作、音樂製作流程、專輯裝幀設計，以及以在地語言音樂與國際音樂接軌的成果分析如下：一、 置入泰雅族傳統文化於族群議題於專輯中：整合泰雅族家族故事與傳統泰雅族文化洗禮，從最新編曲形式進入與傳統結合。二、 實踐專輯企劃於專輯企劃、創作、裝幀設計、影像拍攝：A& R (Artist & Repertoire)的實踐，人設故事的主題、歌曲風格的設定、曲目編排。
三、 系統化之音樂製作流程：以系統化的方式將音樂製作中之每項製程，記錄於文本中並加以分析每項製程之細節。
In 1992, a whirlwind of world music swept the world. From the 1992 French music group"Deep Forest's" first album that sampled national discourse: "Deep Forest (World Mix)" led us to listen to World Music, otherwise known as "Ethnic Electronica”. Immediately afterwards, the German band Enigma, which debuted with Gregorian singing "Sadeness (Part I)" (album: MCMXC a.D.), sampled the singing of "Guo Yingnan", an elder of the Malan tribe in Taitung, and his wife "Guo Xiuzhu Igay Duana" in 1993 The sound file of "Old Man's Drinking Song" became the song: Return to Innocence. In 1996,it was selected as the theme song of the Atlanta Olympic Games in the United States. This broadened the author's horizons and began to collect folk music materials from various places. As a result, Discover that the farthest distance in the world is right next to you. In 2019, the author officially established an 'Tayal electronic music group in the studio: "isu' kayal". Combining the 'Tayal wife "Lomuy Behuy" and the 'Tayal female singer "Suyang", the author began to create 'Tayal electronic music. This paper mainly takes the 'Tayal album "isu' kayal – Tgliq" that the author coordinated, established, and produced as an example to analyze the album planning, songwriting, music production process, album binding design, and the relationship between local language music and international music. The results of music integration are analyzed as follows:1: Putting 'Tayal traditional culture and ethnic issues into the album: integrating 'Tayal family stories and traditional 'Tayal cultural baptism, starting from the latest arrangement form and integrating it with tradition. 2: Practice album planning in album planning, creation, binding design, and video shooting: the practice of A & R (Artist & Repertoire), the theme of the character story, the setting of the song style, and the arrangement of the tracks. 3: Systematic music production process: record each process in music production in a systematic way and analyze the details of each process.
In 1992, a whirlwind of world music swept the world. From the 1992 French music group"Deep Forest's" first album that sampled national discourse: "Deep Forest (World Mix)" led us to listen to World Music, otherwise known as "Ethnic Electronica”. Immediately afterwards, the German band Enigma, which debuted with Gregorian singing "Sadeness (Part I)" (album: MCMXC a.D.), sampled the singing of "Guo Yingnan", an elder of the Malan tribe in Taitung, and his wife "Guo Xiuzhu Igay Duana" in 1993 The sound file of "Old Man's Drinking Song" became the song: Return to Innocence. In 1996,it was selected as the theme song of the Atlanta Olympic Games in the United States. This broadened the author's horizons and began to collect folk music materials from various places. As a result, Discover that the farthest distance in the world is right next to you. In 2019, the author officially established an 'Tayal electronic music group in the studio: "isu' kayal". Combining the 'Tayal wife "Lomuy Behuy" and the 'Tayal female singer "Suyang", the author began to create 'Tayal electronic music. This paper mainly takes the 'Tayal album "isu' kayal – Tgliq" that the author coordinated, established, and produced as an example to analyze the album planning, songwriting, music production process, album binding design, and the relationship between local language music and international music. The results of music integration are analyzed as follows:1: Putting 'Tayal traditional culture and ethnic issues into the album: integrating 'Tayal family stories and traditional 'Tayal cultural baptism, starting from the latest arrangement form and integrating it with tradition. 2: Practice album planning in album planning, creation, binding design, and video shooting: the practice of A & R (Artist & Repertoire), the theme of the character story, the setting of the song style, and the arrangement of the tracks. 3: Systematic music production process: record each process in music production in a systematic way and analyze the details of each process.
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原住民族語流行電子音樂, 電子舞曲, 泰雅族, 高砂義勇隊, 專輯裝幀, Indigenous Pop Music, Electronic Music, EDM, 'Tayal, Takasago Volunteers, Album Package Design