一段旅程的殘影-試論職業網球選手巡迴比賽的探究 A Journey of the Afterimage: On the Professional Tennis Player’s Experience of the ATP Tour

Date
2020
Authors
邱裕翔
Chiu Yu-Hsiang
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Abstract
本研究以職業網球為主題,主要是以親身經歷的網球世界為題材,在網球世界的真實扭動,透過實地的考察,繪製成文本。並透過李維倫和賴憶嫺在《現象學方法論:存在行動的投入》的分析步驟,尋找存在於球場的本質,在以德勒茲(Gilles Deleuze)諸多的概念尋找本質之外,在用影像概念深入的探究對網球世界進行勾畫。透過筆者自身在中華民國全國大專104年度全國大專院校運動會前的訓練開始到中華民國全國109年度全國排名賽的經驗為主軸,從一連串的大專院校運動會、國內排名賽、全國運動會預賽、職業未來賽事、職業挑戰賽事和全國運動會決賽為研究範疇,探討筆者在巡迴賽事存在處境的變異。研究結果發現,一般網球世界本質方面分析出包括概念、規矩、有形的、一般的、可控制、可連續等多種的本質,或網球世界本質之外方面的追尋,則可發現概念之外、無形的、不同的、崩壞、斷裂等不同的本質。最後,透過影像的分鏡、時間、空間、肉身化的方式,顯現真實的網球世界,球員是如何在時間中斷裂;空間中爆炸;肉身化的「變」「異」,而找到運動員暫時的定位。透過種種理論的重新觀看,以不同的層次、角度發展出另一種全新的網球世界。  
The study mainly discusses the tennis world from the author’s experience thematically concerning the professional tennis, especially from the real movement in the tennis world and the fieldwork made to map out the text. Also, through the analysis examined by Wei-Lun Lee and Yi-Hsien Lai’s “Phenomenological Methodology as an Existential Move” (2009), the study strives to seek the essence of the tennis court. In addition to the conceptual toolkit invented by Gilles Deleuze(1925-1995), the author of the thesis attempts to map out the tennis world through the concept of image. Through the author’s training experience from the 2015 National Intercollegiate Athletic Games to the 2020 National Ranking Tournaments of CTTA (Chinese Taipei Tennis Association), the author discusses the variations of the existing situation amidst tour tournaments, such as the National Intercollegiate Athletic Games, National Ranking Tournaments, Preliminary Trials of National Games, Professional Future Tour Tournaments, Professional Challenge Tour Tournaments and the Finals of National Games. The research results show that the essence of the general tennis world can be analyzed through, concept, rule, form, generality, control, continuum and so forth. Moreover, the pursuit other than the essence of the tennis world can find the essence of non-concept, invisibility, difference, rupture, crack-up and so forth. Finally, cutting the shot (découpage) of image, time, space, and embodiment are used to manifest the real tennis world of how the players are crack-up in time, explosion in space, and the becoming of embodiment, through which the athletes can find their temporary positions. Through a variety of theories of re-watching, we can create a new tennis world from different levels and viewpoints.
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Keywords
職業網球, 殘影, 肉身化, professional tennis, afterimage, embodiment
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