獨立創作專輯宅錄製作—以專輯『五色鳥』為例

Abstract

本論文以筆者自主創作與製作的獨立專輯《五色鳥》為核心案例，探討宅錄 (Home Recording)環境下之音樂製作流程、技術應用與創作思維。隨著數位音 樂技術的快速發展，宅錄成為許多創作者的選擇，然而在資源有限、非專業空間 的條件下，如何兼顧音質、編曲與創作完整性，仍是一項實踐上的挑戰。全文首先回顧宅錄技術的歷史脈絡，從 TASCAM 144 四軌錄音機的問世談 起，並延伸至數位音樂工作站(DAW)、虛擬樂器、數位吉他音箱建模與物理建 模技術等數位技術的演進。在實作層面，筆者詳細記錄並分析專輯六首歌曲從創作、編曲、錄音、混音至母帶處理之過程，並反思在其中所面臨的創作瓶頸、技術選擇與合作經驗。透過對各曲目和聲結構與編曲手法的分析，進一步呈現宅錄環境中個人風格與技術手法的交織關係。本研究除呈現個人創作經驗外，亦期望能作為其他獨立音樂創作者進行宅錄製作時之參考。論文之內容兼具實作性與技術性，亦期望能補足當前華語學界中宅錄相關文獻與實務研究的不足。

This thesis presents an in-depth case study of the independently produced album Muller's Barbet, created and recorded by the author, to explore the workflow, creative thinking, and technical applications involved in home recording. As digital music technologies continue to evolve, home studios have become a practical choice for independent musicians. However, achieving high-quality production in a non- professional setting remains a significant challenge. The study begins with a historical overview of home recording, from the TASCAM 144 four-track recorder to the rise of DAWs, virtual instruments, digital amp modeling, and physical modeling synthesis. Special focus is given to technologies which were used in the production.Through a detailed examination of six original tracks, this thesis documents the creative process from composition to mastering, including reflections on technical decisions, collaboration, and obstacles encountered. Each track’s harmonic structure and arrangement are analyzed to illustrate the fusion of personal expression and digital tools.This research contributes both practical insight and technical analysis to the field of independent music production and aims to supplement the limited Chinese-language academic resources on home recording.