論「詩莊詞媚曲俗」的審美旨趣及文化義函
dc.contributor.author | 潘麗珠 | zh_tw |
dc.date.accessioned | 2014-10-27T15:42:33Z | |
dc.date.available | 2014-10-27T15:42:33Z | |
dc.date.issued | 2002-06-?? | zh_TW |
dc.description.abstract | 清代李東琪提出的「詩莊詞媚」概念,極具審美意趣,然歷來閱讀者並未深究其中義涵,不但前人之述罕見,甚且不知此概念之提出者為誰。究竟「詩詞曲」並稱時,指的是什麼時代的「詩」與「詞」?而「曲俗」(鄭因百先生則曰「曲博雜」)的「曲」,是什麼概念的「曲」?而「莊媚俗」又是從何種觀點切入,方能有此斷語?(這點實與詩歌聲情之音樂性與表現情形,文士之吟誦與歌樂舞一體之問題,以及時代文化的氣質形象張揚,關係極密。)其簡潔有力又饒富形象的「莊、媚、俗(博雅)」數個字的審美旨趣與文化義涵,頗有探討價值。思考此問題可有兩個進徑,一是就李東琪的原意推敲,二是思索李東琪所提給予吾人之啟發。本論文即是嘗試從上述各項思索展開析論,大體上是由第二進徑發展思維,是筆者長年以來,在詩歌文學之音樂性與美學理解方面的探索心得。 | zh_tw |
dc.identifier | 669E700F-5D3D-2BBD-79DF-24B97FB50B4C | zh_TW |
dc.identifier.uri | http://rportal.lib.ntnu.edu.tw/handle/20.500.12235/24813 | |
dc.language | 中文 | zh_TW |
dc.publisher | 國文學系 | zh_tw |
dc.publisher | Department of Chinese, NTNU | en_US |
dc.relation | (23),381-392 | zh_TW |
dc.relation.ispartof | 中國學術年刊 | zh_tw |
dc.subject.other | 李東琪 | zh_tw |
dc.subject.other | 詩莊詞媚曲俗 | zh_tw |
dc.subject.other | 唐詩 | zh_tw |
dc.subject.other | 宋詞 | zh_tw |
dc.subject.other | 元曲 | zh_tw |
dc.subject.other | 詩歌音樂 | zh_tw |
dc.subject.other | 審美旨趣 | zh_tw |
dc.subject.other | Lee Tung-chi | en_US |
dc.subject.other | Poetry to be solemn | en_US |
dc.subject.other | Lyrics to be fascinating and drama to be vulgar | en_US |
dc.subject.other | The poetry of the Tang Dynasty | en_US |
dc.subject.other | The Lyrics of the Sung Dynasty | en_US |
dc.subject.other | The drama of the Yuan Dynasty | en_US |
dc.subject.other | Esthetic theme | en_US |
dc.title | 論「詩莊詞媚曲俗」的審美旨趣及文化義函 | zh-tw |