細川俊夫《月夜之蓮》暨自我音樂創作分析

Abstract

細川俊夫（Toshio Hosokawa, 1955–）是當今極富盛名的日本作曲家。早年留德並師從韓國作曲家尹伊桑（Isang Yun, 1917–1995），作品經常在世界各地被演出。他的音樂深受自然、佛教、哲學與日本傳統文化等影響，融合東西方的觀點，創造出獨特的音樂語彙。本論文以細川俊夫的生平與創作理念為基礎，從日本美學角度探討其音樂風格，並以《月夜之蓮》（Lotus Under the Moonlight, 2006）為主題進行樂曲分析，透過音高、音型、織度、音色等不同面向的研究，進一步反思其音樂對自己個人創作的啟發與實踐。

Toshio Hosokawa (1955–) is one of the most renowned contemporary Japanese composers. He studied in Germany during his early years under the guidance of Korean composer Isang Yun (1917–1995), and his works are frequently performed around the world. Deeply influenced by nature, Buddhism, philosophy, and traditional Japanese aesthetics, Hosokawa’s music merges Eastern and Western perspectives, resulting in a unique and poetic musical language. This thesis explores Hosokawa’s biography and compositional philosophy, examining his musical style from the perspectiveof Japanese aesthetics. Focusing on Lotus Under the Moonlight (2006), the study analyzes his work from various aspects including pitches, motifs, texture and timbre. It further reflects on how his musical concepts have inspired and influenced the author’s own creative process.