跨界音樂之探討與實踐—以流行大提琴演奏專輯《Fioritura》為例
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2021
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Abstract
本篇書面報告將以筆者自身所創作之流行大提琴演奏專輯作為範例，並於文獻探討中討論跨界音樂在現今的意義與原因，以及分析當代與大提琴有關的跨界音樂案例，同時就此專輯來說明其創作理念、創作過程、及相關之數位音樂和音樂製作技術，由實務面的角度來探討製作流程中的細節，如創作過程中所使用之相關軟、硬體工具等，最後再針對專輯中的各首曲目，進行音樂製作相關資料之統整與創作分析。
The written report of this article will take the popular cello performance album created by the author as an example, discuss the significance and reasons of crossover music in the present based on literature review, and analyze contemporary crossover music cases related to the cello. To explain its creative concept, creative process, related digital music and music production technology, while discussing the details of the production process from a practical perspective, suchas the relevant software and hardware tools used in the creative process, and finally focus on each song in the album, whereas carrying out the integration and creation analysis of music production materials.
The written report of this article will take the popular cello performance album created by the author as an example, discuss the significance and reasons of crossover music in the present based on literature review, and analyze contemporary crossover music cases related to the cello. To explain its creative concept, creative process, related digital music and music production technology, while discussing the details of the production process from a practical perspective, suchas the relevant software and hardware tools used in the creative process, and finally focus on each song in the album, whereas carrying out the integration and creation analysis of music production materials.
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大提琴, 跨界音樂, 演奏專輯, 音樂製作, 數位音樂, Cello, Crossover Music, Performance Album, Music Production, Digital Music