由曲宴觀看宋徽宗延福宮
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2015
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Abstract
本文試圖透過曲宴，來瞭解宋徽宗的延福宮。延福宮建於政和三年，為徽宗時期重要的建設之一。近年來對於延福宮的研究，大部分關注在其內部配置、範圍，從這些研究可知延福宮有宮殿群和園林的設置，不過對於內部配置，尚未有一致的看法。
再者，延福宮如何被使用，學界尚無詳盡說明。研究者發現在延福宮中有多筆的曲宴記載，顯示曲宴對於延福宮來說，是重要的活動。
為說明延福宮的特色，將選擇同為曲宴的重要場所—後苑作為比對對象，透過兩部分比較來說明，在比對的過程中發現，延福宮在設置上以七殿十五閣為主的設計與曲宴有關，延福宮中曲宴的「私」與「小」，有了深入和突破。
The aim of this paper is to explore Extended Prosperity Palace延福宮 during the Emperor Huizong period through the analysis of Qu yan曲宴, one of the important imperial feasts in Northern Song dynasty. The Extended Prosperity Palace was established in 1113 by the Emperor Huizong. It should be one of the important palace complexes because it was still used for giving imperial feasts after the emperor built Gen yue艮嶽, magic marchmout. However, there is no research on the palace as a place to give imperial feasts. Therefore, the paper analyzes historical records on the feasts Qu yan held in the Extended Prosperity Palace. It also discusses that the feast Qu yan included diversified activities was developed by the Emperor Huizong, and that buildings and landscape in the palace respectively had different spatial roles when the feast was given. The paper concludes that the Extended Prosperity Palace is representative of the Emperor Huizong’s palace because the palace was designed for the imperial feast Qu yan which was one of the main interests of the Emperor Huizong.
The aim of this paper is to explore Extended Prosperity Palace延福宮 during the Emperor Huizong period through the analysis of Qu yan曲宴, one of the important imperial feasts in Northern Song dynasty. The Extended Prosperity Palace was established in 1113 by the Emperor Huizong. It should be one of the important palace complexes because it was still used for giving imperial feasts after the emperor built Gen yue艮嶽, magic marchmout. However, there is no research on the palace as a place to give imperial feasts. Therefore, the paper analyzes historical records on the feasts Qu yan held in the Extended Prosperity Palace. It also discusses that the feast Qu yan included diversified activities was developed by the Emperor Huizong, and that buildings and landscape in the palace respectively had different spatial roles when the feast was given. The paper concludes that the Extended Prosperity Palace is representative of the Emperor Huizong’s palace because the palace was designed for the imperial feast Qu yan which was one of the main interests of the Emperor Huizong.
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曲宴, 宋徽宗, 延福宮, Qu Yan, Huizong, Extended Prosperity Palace