流行跨界手風琴演奏專輯錄音製作—以《台北香頌》專輯為例

Abstract

手風琴因為其和聲豐富以及便於攜帶的特性，從發源地歐洲流傳至世界各地，在兩百年左右的時間內逐漸與各國音樂融合，形成獨樹一格的音樂風格。而手風琴亦曾為台灣流行音樂中不可或缺的樂器之一，從二戰後早期的音樂製作及錄音中，到北投溫泉紅遍一時那卡西走唱文化，皆能聽到手風琴的聲音。筆者身為手風琴手，基於推廣及復興手風琴音樂，希望以流行音樂形式，重新創作屬於手風琴的當代跨界音樂。作品將以手風琴為主要樂器，製作當代演奏類流行跨界音樂風格的錄音室音樂專輯。筆者將擔任《台北香頌》主要專輯製作、作曲以及編曲工作 ，專輯總共十首曲目，總長度約40分鐘，專輯樂器編制使用各種不同的手風琴、低音提琴、鋼琴、 吉他、小提琴等樂器。本書面報告將針對此專輯的企劃、曲目以及音樂製作流程進行論述以及分析。As a portable and a musical instrument with rich harmony, the accordion has spread all over the world from its birthplace Europe. It has emerged with various music genres in different regions and has become an exceptional type itself. Accordion also took an indispensable role in the history of Taiwanese popular music, from post-war music productions and recordings to"Nakasi" tradition in the Beitou hot spring area, accordion's sound lingered. As an accordionist myself, to promote and make accordion great again, writer is producing an instrumental recording album in pop crossover style. The album "Chanson de Taipei" is mainly produced, composed and arranged by writer, which includes 10 tracks with total length about 40 minutes. Various types of accordion, double bass, piano, guitar and violin are the main instruments in the arrangements. This written reportis an interpretation of the album, which analyzes its planning, tracks and production process.