亞歷山大‧鮑羅定:《韃靼人舞曲》之分析與詮釋

dc.contributor廖嘉弘zh_TW
dc.contributorLiao, Chia-Hungen_US
dc.contributor.author丁肇賢zh_TW
dc.contributor.authorTing, Chao-Hsienen_US
dc.date.accessioned2019-09-06T00:49:50Z
dc.date.available2018-08-20
dc.date.available2019-09-06T00:49:50Z
dc.date.issued2018
dc.description.abstract作為巴拉基列夫與現代俄國音樂銜接的角色,五人組的作品對於俄國國民樂派則是提供了絕佳的線索來讓我輩後世得以窺見其一二。透過本文主題鮑羅定與《伊果王子》的研究,可以暸解部分俄國民族音樂的特色與發展脈絡。在指揮技巧上,則可以清楚分析手部預備運動與二拍或四拍的拍型選擇的差異,對於音樂表達與排練效率也有不錯的幫助。zh_TW
dc.description.abstractAs a role of Balakirev and modern Russian music, the works of Moguchaya Kuchka provide an excellent clue to the Russian musical nationalism to give a glimpse of the future generations. Through the study of the subject of this paper, Borodin and "Prince Igor", we can understand the characteristics and development of some Russian folk music. And in the conducting skills, you can clearly analyze the difference between the hand-prepared movement and the two- or four-beat style selection, which is also helpful for music expression and rehearsal efficiency.en_US
dc.description.sponsorship音樂學系zh_TW
dc.identifierG0004903102
dc.identifier.urihttp://etds.lib.ntnu.edu.tw/cgi-bin/gs32/gsweb.cgi?o=dstdcdr&s=id=%22G0004903102%22.&%22.id.&
dc.identifier.urihttp://rportal.lib.ntnu.edu.tw:80/handle/20.500.12235/108104
dc.language中文
dc.subject鮑羅定zh_TW
dc.subject伊果王子zh_TW
dc.subject五人組zh_TW
dc.subject俄國國民樂派zh_TW
dc.subjectBorodinen_US
dc.subjectprince Igoren_US
dc.subjectMoguchaya Kuchkaen_US
dc.subjectRussian musical nationalismen_US
dc.title亞歷山大‧鮑羅定:《韃靼人舞曲》之分析與詮釋zh_TW
dc.titleAnalysis and Interpretation of Borodin's Polovtsain Dancesen_US

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