亞歷山大‧鮑羅定：《韃靼人舞曲》之分析與詮釋
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2018
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Abstract
作為巴拉基列夫與現代俄國音樂銜接的角色，五人組的作品對於俄國國民樂派則是提供了絕佳的線索來讓我輩後世得以窺見其一二。透過本文主題鮑羅定與《伊果王子》的研究，可以暸解部分俄國民族音樂的特色與發展脈絡。在指揮技巧上，則可以清楚分析手部預備運動與二拍或四拍的拍型選擇的差異，對於音樂表達與排練效率也有不錯的幫助。
As a role of Balakirev and modern Russian music, the works of Moguchaya Kuchka provide an excellent clue to the Russian musical nationalism to give a glimpse of the future generations. Through the study of the subject of this paper, Borodin and "Prince Igor", we can understand the characteristics and development of some Russian folk music. And in the conducting skills, you can clearly analyze the difference between the hand-prepared movement and the two- or four-beat style selection, which is also helpful for music expression and rehearsal efficiency.
As a role of Balakirev and modern Russian music, the works of Moguchaya Kuchka provide an excellent clue to the Russian musical nationalism to give a glimpse of the future generations. Through the study of the subject of this paper, Borodin and "Prince Igor", we can understand the characteristics and development of some Russian folk music. And in the conducting skills, you can clearly analyze the difference between the hand-prepared movement and the two- or four-beat style selection, which is also helpful for music expression and rehearsal efficiency.
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鮑羅定, 伊果王子, 五人組, 俄國國民樂派, Borodin, prince Igor, Moguchaya Kuchka, Russian musical nationalism