賦詩言志，重新排練──論零雨詩作的反抗意涵

Abstract

本文主要參考克里斯特娃《反抗的未來》之論點，分成三個層面進行零雨詩作的討論。第一，指出賦詩言志的心理意義。賦詩，言志，即是一種反抗現實的行為，因為詩人找到回歸之必要，建構精神烏托邦，同時以詩翻譯內在異質性。第二，回歸女性感性世界。本文所定義之「感性」，是一種抵制理性思想與體制的感官性，是抗拒被表演性質的社會建制所耍弄的本質回溯。在零雨的詩裡，常能摒除文明價值，指向精神、靈魂與原初。第三，重新命名，再次排練。不論是堅持文本的重新再造性，或在詩語空間裡，實踐對既有秩序的重新命名，零雨力求的是精神上的自由。因此，零雨詩作裡明顯的「排練」情節，傳達了其創造性與拒絕被舊規範、舊思想限制的反動力。

This paper discusses Ling-Yu's poems through three perspectives. First, pointing the psychological significance of writing poetry. Poetry is an act against the reality, because the poet believes the necessity of backing to basics, to construct the spirit of utopia, while poetry can translate the inherent heterogeneity. Second, return to women sensuous world. Here the “sensibility” is defined as a boycott of rational thought and system, but also a resist, resist the performing society, and look back upon essence of the nature. In Ling-Yu’s poems, can often be excluded civilized values, pointing to the spirit , soul and original. Third, rename the world, rehearse things again. Whether required the creative writing, or in verse, to rename the existing order, Ling-Yu is striving toward a spiritual freedom. Therefore, Ling-Yu’s poems in a marked“rehearsal” episode, are profoundly demonstrated creativity, and refuse to be limited by the old norms, the old ideas.