新華流音樂創作方法探析-以實際創作之六首歌曲為例

Abstract

在這個數位音樂工作站(digital music workstation)人手一個的時代，現代人是如何不出房門便能獨自完成一首歌曲，歌曲是如何從傳統的 Band Sound 及弦樂編制，慢慢的加入更多音色樣本與聲音設計的創作手法，其中我們甚至不需要高超的樂器彈奏技巧、也不用多麽艱澀的樂理分析能力，必要的只有如何將腦海裡的聲響具體的呈現出來，並找到正確的音色互相碰撞及堆疊，而這種創作概念又與傳統華流音樂有何異同之處呢？本報告將透過解析市面上已發行之音樂作品，以及個人的歌曲實作，從零開始探索新華流音樂之創作，書面報告作詞曲、編曲一直到混音後製，紀錄整首歌曲的建構到成型，希望能透過此書面報告提供讀者更多音樂創作上的想法。

In this era where everyone has a digital music workstation (DAW), how can modern people complete a song alone without leaving the room? The creation method of sound design, in which we don’t even need superb musical instrument playing skills, nor the ability to analyze difficult music theory, what is necessary is how to present the sound in our minds in detail, and find the correct timbres to collide and stack each other , and what are the similarities and differences between this creative concept and traditional mandarin popular music?This report will explore the creation of mandarin popular music from scratch by analyzing the music works that have been released on the market, as well as personal song implementation. Written reports include composing lyrics, arranging, and post-mixing, recording the construction of the entire song to I hope to provide readers with more ideas on music creation through this written report.