透視.生命的視角—醫者黃三奇水墨創作研究
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2025
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本研究以水墨意象構成空間並置的形式,探討生命的生存現象和生老病死善終的認知。分別以醫者的視角分析文化、科學和哲學的生命觀點,論證生命是生存現象的開展,生命是向死的存有,和生命是意識的表徵。本文分為五章,第一章為研究動機與目的、內容與方法,經由多視角的論述對所觀看到的生命擬練出總體的認識。結合中西的藝術觀點,創作具有現代感的水墨。第二章學理分析,參照老莊哲學的意境和審美的觀照,以西方「異質空間」和「同質空間」理論作為創作的形式,以存在主義說明生命為自身存在目的核心思維與藝術潮流。第三章創作實踐與方法,利用符號、象徵及意象進行「意象構成」。以醫學為內容,經由「異質空間」和「同質空間」多重視覺圖像的模式做視角的轉換。第四章作品說明,分別就《文化》、《科學》和《哲學》三個系列,分析異質空間與同質空間的表現形式。第五章結論,回顧省思與展望,知識的建構有助於創作與藝術欣賞,勇於超越自己並與世界分享,是生命崇高的價值與意義。
This study explores the phenomenon of life and the perception of birth, aging, illness, death, and a peaceful end through the juxtaposition of spatial forms using ink imagery. From the perspective of a physician, it analyzes cultural, scientific, and philosophical views on life, arguing that life unfolds as a survival phenomenon, exists in the face of death, and serves as a representation of consciousness.The paper is divided into five chapters. The first chapter outlines the research motivation, objectives, content, and methods, aiming to develop a comprehensive understanding of life through a multi-perspective discourse. By integrating Eastern and Western artistic perspectives, it creates modern ink art. The second chapter presents a theoretical analysis, referencing the aesthetic contemplation and philosophical concepts of Laozi and Zhuangzi, using the Western theories of"heterogeneous space" and "homogeneous space" as a framework for creation. Existentialism is applied to explain life as the core thought and purpose of existence, linked with artistic movements. The third chapter focuses on creative practices and methods, utilizing symbols, metaphors, and imagery to construct "imagery composition." It incorporates medical content and shifts perspectives through multiple visual images of heterogeneous and homogeneous spaces. The fourth chapter explains the works,analyzing the expression forms of heterogeneous and homogeneous spaces through three series: culture, science, and philosophy. The fifth chapter concludes with reflections and future outlooks, emphasizing that knowledge construction aids in both creation and art appreciation. It highlights that the courage to surpass oneself and share with the world embodies the noble value and meaning of life.
This study explores the phenomenon of life and the perception of birth, aging, illness, death, and a peaceful end through the juxtaposition of spatial forms using ink imagery. From the perspective of a physician, it analyzes cultural, scientific, and philosophical views on life, arguing that life unfolds as a survival phenomenon, exists in the face of death, and serves as a representation of consciousness.The paper is divided into five chapters. The first chapter outlines the research motivation, objectives, content, and methods, aiming to develop a comprehensive understanding of life through a multi-perspective discourse. By integrating Eastern and Western artistic perspectives, it creates modern ink art. The second chapter presents a theoretical analysis, referencing the aesthetic contemplation and philosophical concepts of Laozi and Zhuangzi, using the Western theories of"heterogeneous space" and "homogeneous space" as a framework for creation. Existentialism is applied to explain life as the core thought and purpose of existence, linked with artistic movements. The third chapter focuses on creative practices and methods, utilizing symbols, metaphors, and imagery to construct "imagery composition." It incorporates medical content and shifts perspectives through multiple visual images of heterogeneous and homogeneous spaces. The fourth chapter explains the works,analyzing the expression forms of heterogeneous and homogeneous spaces through three series: culture, science, and philosophy. The fifth chapter concludes with reflections and future outlooks, emphasizing that knowledge construction aids in both creation and art appreciation. It highlights that the courage to surpass oneself and share with the world embodies the noble value and meaning of life.
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水墨, 異質空間, 同質空間, 意象構成, 視角, Ink, Heterogeneous Space, Homogeneous Space, Imagery Composition, Perspective