陶藝創作之商業攝影呈現
dc.contributor | 劉立行 | zh_TW |
dc.contributor | Liu, Li-Hsing | en_US |
dc.contributor.author | 楊能傑 | zh_TW |
dc.contributor.author | Yang, neng-chieh | en_US |
dc.date.accessioned | 2024-12-17T03:28:10Z | |
dc.date.available | 2024-01-30 | |
dc.date.issued | 2024 | |
dc.description.abstract | 在恩師的指導下,以及彼此的互動中我們發現將陶藝及攝影做一個聯結或許會有美妙的結合,因此將陶藝與攝影連結起來做一個研究的主題方向,後立即展開研究的設計與規劃。而我也在研究中的於文獻探討中,分別列舉陶藝製作的技術美學及攝影技術美學與各項攝影技術及技術的分析價值與方法;針對關於陶藝製作技術部分做論述以強化作品呈現的重點,以作為規劃拍攝作品的重點設計。我們所知「光」是攝影的生命,不同的光源會呈現不一樣的視覺效果,因此針對不同種類的光源做實驗的影像拍攝,求得實驗的結果。攝影的觀念可以是一種思考,一種想法,也可以是一種技術的展現,目的在協助攝影者表達作品的意象。而作品的意象,同樣需要一些觀念來解讀才能傳遞出攝影所拍攝主題的訴求,並引導觀看者對主體的印象形成。經過獨立個展及聯展的紀錄分析與觀賞人的Q&A互動也印證提供良好的視覺傳達有利於更加能夠吸引愛好者前往現場參觀實體作品。 | zh_TW |
dc.description.abstract | Under the guidance of our mentor and through interactions with each other, we discovered that there might be a wonderful combination by connecting ceramics and photography, so we connected ceramics and photography as a research theme, and then immediately started the design and planning of the research. In the literature review during my research, I listed the technical aesthetics of ceramic production and the technical aesthetics of photography, as well as the analytical value and methods of various photography techniques and techniques. I also discussed the part about ceramic production technology to strengthen the focus of the presentation of the work. , as the key design for planning the shooting.We know that "light" is the life of photography. Different light sources will present different visual effects. Therefore, we conduct experimental image shooting based on different types of light sources to obtain the experimental results. The concept of photography can be a kind of thinking, an idea, or a display of technology. The purpose is to help the photographer express the image of the work. The image of the work also needs some concepts to interpret in order to convey the appeal of thesubject photographed and guide the viewer to form an impression of the subject.Record analysis of independent solo exhibitions and joint exhibitions and Q&A interactions with viewers also confirm that providing good visual communication is more conducive to attracting enthusiasts to visit the physical works on site. | en_US |
dc.description.sponsorship | 圖文傳播學系碩士在職專班 | zh_TW |
dc.identifier | 004723106-44706 | |
dc.identifier.uri | https://etds.lib.ntnu.edu.tw/thesis/detail/f83729c785aba60c4cf93ccdcde3fe12/ | |
dc.identifier.uri | http://rportal.lib.ntnu.edu.tw/handle/20.500.12235/123250 | |
dc.language | 中文 | |
dc.subject | 陶藝 | zh_TW |
dc.subject | 攝影 | zh_TW |
dc.subject | 光源 | zh_TW |
dc.subject | 攝影觀念 | zh_TW |
dc.subject | pottery | en_US |
dc.subject | photography | en_US |
dc.subject | light source | en_US |
dc.subject | photography concept | en_US |
dc.title | 陶藝創作之商業攝影呈現 | zh_TW |
dc.title | Commercial photography presentation of ceramic artworks | en_US |
dc.type | 成果連同技術報告(應用科技類) |
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