變奏的都市景觀-水彩創作研究

Abstract

都市景觀，是筆者上台北求學階段每天所接觸到的景色，本身對於都市建築的樣貌有著深刻的感受，每天伴隨著興建大樓的施工聲，看著一棟棟的老房被夷為平地，開始興建造型單一且無趣的高樓，走在街頭，往往可以看見牆壁上所殘留的痕跡，或是被閒置的大樓，還有每天通勤時，搭乘交通工具所拍攝的移動都市景觀，這些景象啟發了筆者創作的靈感，而對於這世代帶給我們的視覺刺激，筆者以變奏的都市景觀一詞作為此系列創作的核心。以繪畫為形式的創作中，筆者試圖去呈現這個時代的都市樣貌以及試圖表現過去所殘存的痕跡，利用畫面中的場景安排、元素配置，嘗試將筆者自身身體在這樣一個都市空間所產生的各種關係，試圖去傳達給觀眾，因與觀眾本身的生活環境有連結，所以不失去觀者自身對於畫面的想像空間，也因為這樣試圖去引導讀者喚醒某些以忘記的身體記憶。 基於筆者對水彩這項媒材的熱誠與追求，認為在現代水彩創作中，水彩仍有很多創作發展上的可能性，因此會進一步的探討如何為水彩開創新意，期望個人水彩的創作能有別於古典唯美寫實的範疇，朝向更具當代意涵及在地化的創作特質發展。The city scenery is the scene that the author got along with during his college and graduate life in Taipei. The author has a deep feeling about the appearance of urban architecture. Every day hearing the sound of construction of the building,and seeing the old house being razed to the ground,to build a monotonous and boring high-rise buildings were his daily life.The traces left on the wall, bandoned buildings on the streets,and the moving cityscape during commuting,all of these scenes inspire the author's creation. The author uses the term "The variation scenery in the city " as the core concept of this series of creations to reflect the visual stimulation that this generation brings to us.In his painting, the author tries to present the urban appearance of this era and tries to show the remaining traces of the past.By means of arranging the elements,the author manifestate not only the feeling but also the relationships between his own body and such a city space to the audience.Because of the connection with their own living enviroment,the audiences wouldn’t lose their imagination to the picture,and,therefore,can lead them to arouse some forgotten physical memories.

Based on the passion for watercolor, the author thinks that there are many possibilities in modern watercolor creation.Therefore, he will further explore how to create new ideas for watercolor, which can be different from the category of classical aesthetic realism, and develop towards a more contemporary meaning and localized creative characteristics.