慾望下的反思-貪婪公仔角色研究創作

Abstract

公仔是跨時代的多元複合物，它擁有特殊的「時代性」和「娛樂性」。公仔本身不僅是一股潮流，更記錄了當下社會的歷程，設計師本身把自有的文化涵養和本土文化社會議題參與其中，創造出另一種更易被接受的溝通途徑；透過可愛的造型傳達出社會不同的面貌，並達到精神上和物質上的意涵轉換。公仔潮，它暗諭了真正的收藏不在擁有，而是人類主體親自指認並承認其永無止盡的匱乏，即是主體原慾的「慾望」匱乏。 透過角色的創造與自我內心反覆探討貪婪，對於各面向金錢、權力、愛情、物質等等的探討過程中，自我也因此獲得情感上的抒發，同時也釐清自我對於慾望現象的盲點與觀點，進一步的進行自我反思。Figure is a kind of product that possess multi-phases for the crossing era, it has special implication both for the present age and entertainment aspect. Figure itself not only dominates vague, but also records the history of contemporary society. With adoption of local culture attributes and social issues, the designers provide a more acceptable alternative means of communication. Through the induction of lovely shape of figure, different aspects of social appearance are presented; the transformation between spiritual and material implications is accomplished. The fashion of figure collection implies the real collection relies not on the materially holding but the admission of human’s endless scarce on "Original Desire". Through the creation of the figure and self-exploring on the intent of greediness; aspects such as money, power, love, material, etc, the author acquires the emotion releasing. Besides, the concept of desire phenomenon has been clarified, further introspection is executed simultaneously.