移動的片斷視象—林文斌繪畫創作論述

Abstract

本次的創作研究內容，主要來自筆者對當今移動性的現象觀察，以及自身在移動當中感知到變動與錯亂的視覺經驗之詮釋。長期生活在現代都會環境裡頭，透過每日來回往返的通勤旅途當中，不論是面對月台通勤的繁忙人流，或是望向馬路街道上的飛奔車潮，時常感受到無時無刻置身在一個高速的移動世界。而事物不間斷地移動所形成的無數綿延軌跡，如同利刃般迅速劃過眼前，交錯出浮動與失序的片斷景象。同時也關注到當今是一個電子傳媒與數位影像普及的時代，我們早已習慣將日常周遭所見到，運用手機和電腦等科技傳媒將其轉變成數位影像的方式來進行互動交流，連帶影響我們的視覺實踐與感官經驗，譬如滑動與觸控的瀏覽觀看是最明顯的特色，逐漸地這股數位影像語彙也慢慢滲透進自身的創作思維，透過一次偶然的經歷，瀏覽電腦螢幕上的影像在故障時出現的雜訊片斷及翻動錯位的變異狀態，頓時給了筆者創作上的靈感，隨後便嘗試將這些數位影像的故障語彙轉化成繪畫的表現形式，透過大量的切片與穿插重疊，嘗試模擬出移動中產生的觀看斷裂與空間位移的場景，並將色彩轉變成鮮豔高飽和度狀態，營造出劇變當中的感官迷亂與視覺疲勞。本論文共分五個章節，第一章「緒論」闡述筆者的研究動機與目的，講述在日常中對移動現象的感知與經驗，並對關鍵字詞進行詮釋；第二章「移動的視覺景象」梳理相關文獻資料和藝術家作品分析，探討各時期針對移動性的表現與詮釋；第三章「創作思維與實踐」論述自身的創作思維與表現，以個人主觀經驗為出發點，嘗試引用相關學者思想觀點來完善論文書寫，並詳盡記錄各階段創作步驟和媒材技法使用；第四章「移動的片斷視象」之創作解析，為個別作品之創作理念說明；最後第五章「結論」書寫筆者往後創作道路上的勉勵與期許，以創作歷程回顧及未來的展望兩部分做為總結。Through creative practice to convey my own experience and thoughts on the surrounding things, the creative performance is connected with the things in the time and space environment where the creator is located, sometimes it is a recognizable and concrete image seen with my own eyes, sometimes it is not. See the invisible atmosphere or experience of the times. The content and themes of this creative research are mainly derived from the author’s perception and perception of mobility phenomena in daily life. I found that in the process of movement, the way of viewing has changed, which is different from the static vision in the past.The experience, in turn, is replaced by the changing characteristics of blur, speed, and displacement during movement. Besides, the author is also deeply influenced by the development of contemporary technology media and the vocabulary of digital images. I try to use the phenomenon of bad screen mutation caused by the failure of the viewing screen interface to present the visual effect of dislocation as a form of creative expression. The elements, as well as the function of using digital imagetransformation, break the singularity and frame limitation of the existing image text, thereby presenting my own interpretation and understanding of the moving vision.This thesis is divided into five chapters. The first chapter, "Introduction", elaborates on my research motivation and purpose, and describes the movement phenomenon and experience that I perceive in daily life, as well as the explanation of keywords; The second chapter "The Visual Scene in Movement" analyzes the literature and works of related artists, and explores the creative interpretation and performance of mobility in various periods; The third chapter "Creative Thinking and Practice", to explore the author's thinking and creative performance on mobility, taking his own subjective experience as the starting point, trying to link the thoughts and viewpoints put forward by related scholars, perfecting the writing and creative practice of thesis, and recording it in detail The creation steps of each stage and the description of the media technique; The fourth chapter "Analysis of the Creation of Moving Visual Scenes", revisited how the author used the mobile visual experience to extract form elementssuch as blur, shift, and displacement as the visual expression of the picture, and gave the work a unique creative concept; Finally, The fifth chapter"conclusion", takes two parts, a review of the creative process and a prospect for the future, as a research summary, and writes the author's encouragement and expectations for the future road to art.