斯特拉溫斯基《雙重協奏曲》之樂曲分析與演奏詮釋

Abstract

斯特拉溫斯基是帶領新古典主義的先驅，在《雙重協奏曲》中，可以發現無論是旋律、架構和體裁等，皆能看到古典、巴洛克甚至更早，如古希臘或文藝復興時期的元素，在本曲的第二、三樂章當中，則是直接受到文藝復興作家佩托拉克的《田園詩》的影響與啟發。本論文將會探討斯特拉溫斯基如何在古典精神之中，加入屬於二十世紀的和聲色彩，和如何用音樂描述出文學中所要表達的意念。 本論文第一章為研究動機和研究方法，第二章為斯特拉溫斯基的生平概述，第三章為《雙重協奏曲》的創作背景和文學比較，第四章與第五章分別為樂曲分析與詮釋。Igor Stravinsky is one of the most influential composers and the pathfinder of Neo-classicism in the twentieth century. In his Duo Concertante, there are many classical, baroque, or even Renaissance elements in the melodies and the musical structure. When composing the second and the third movement of Duo Concertante, Stravinsky was inspired by Carmen Bucolicum, a pastoral by the Renaissance poet, Francesco Petrarca. Hence, in this dissertation, I will discuss about the techniques Stravinsky used of blending the twentieth-century tonal harmonies into classical structure, and the ideas of conveying the literature meaning through the music. The first chapter is my motivation of writing this topic, and the researching methods；the second chapter is Stravinsky’s brief biography；the third chapter is the background and comparison between Carmen Bucolicum and Duo Concertante；the forth and the fifth chapter are analysis and interpretation of Duo Concertante.