攝影作品《遇見了，愛上了，失去了》創作論述

Abstract

本研究聚焦於靜態影像與策展的跨媒體結合，圍繞「害怕失去」這一普遍而深刻的情感主題，深入探討影像與空間敘事如何透過多感官設計達成情感的傳遞 與深化。研究以符號學、心理學與敘事理論為基礎，從創作理念、策展實踐到觀 者反饋，系統分析靜態影像的符號表現力及其在策展環境中的應用價值。影像作品藉由拍立得媒介的即時性與光化學反應，呈現記憶的殘片與情感的脆弱，其顆粒質感與色彩偏差塑造了無法重現的視覺張力。而策展作為影像情感的延 伸 語境，透過氣味、聲音與微涼溫度的設計，營造出疏離與沉靜的氛圍，使觀者 在感官體驗中回應內心的情感共鳴。同時，文字敘事以簡潔留白為特色，構建了一 種沉思的情感對話空間，輔助影像在敘事層面的深化。研究結果顯示，靜態影像與多感官策展的整合，能有效加強情感敘事的層次與廣度，喚起觀者對「失去」經驗的深層反思。特別是拍立得影像的物理特質， 為影像敘事賦予了更具體的情感質感，而策展環境的多感官設計則成為情感傳遞 與記憶觸發的重要橋樑。本研究不僅在靜態影像與策展實踐的交互應用上提供了 新穎視角，更針對符號化語境的多義性與文化適應性提出反思，為未來在情感敘 事中的跨媒體創作提供理論依據與實踐啟發。This study focuses on the cross-media integration of static imagery and curation, centering on the universal and profound emotional theme of"fear of loss." It delves into how imagery and spatial narratives achieve emotional conveyance and deepening through multi-sensory design. Grounded in semiotics, psychology, and narrative theory, the research systematically analyzes the symbolic expressiveness of static imagery and its applicative value within curated environments, spanning from creative concepts and curatorial practices to audience feedback. Through the immediacy and physicality of the Polaroid medium, the photographic works present fragments of memory and the fragility of emotions. The grainy textures and color distortions forge an irreplicable visual tension. As an extended context for the emotions in the imagery, the curation employs sensory designs involving scent, sound, and slightly cool temperatures, creating an atmosphere of alienation and tranquility that invites viewers to resonate with their inner emotions through sensory experiences. Simultaneously, textual narratives, characterized by concise and reserved language, construct a contemplative emotional dialogue, complementing the narrative depth of the imagery.The results reveal that integrating static imagery with multi-sensory curation effectively enhances the layers and breadth of emotional storytelling, evoking profound reflections on personal experiences of"loss" among viewers. Notably, the physicality of Polaroid imagery endows the narrative with tangible emotional textures, while the multi-sensory design of the curatorial environment serves as a vital bridge for emotional transmission and memory activation. This study not only offers novel perspectives on the interactive application of static imagery and curatorial practices but also reflects on the challenges of semiotic multi- interpretability and cultural adaptability. It provides theoreticalfoundations and practical inspirations for cross- media creation in emotional storytelling.