安迪‧沃荷的版畫風格應用於浮雕藝術設計之探討

Abstract

本研究在新建築物外牆製作浮雕藝術設計，以版畫圖案轉化結合設計成浮雕藝術牆，其製作過程到結果，從平面與立體的設計思考切換與製作的差異性、共同性研究找出轉化的可行性。要將平面版畫，轉換設計使用不同材質為立體浮雕案，在版畫世界裡竟潛藏著設計立體層次浮雕思維的共同元素，包含套色方法過程，線條塊狀造形的組合，竟有如此魔術般的相同思考過程，更興起了對版畫創作世界要一窺究竟。 安迪‧沃荷的版畫風格被後輩年輕畫家極度稱讚，甚至對流行時尚有絕對影響力包含服裝設計師、平面設計者靈感均來自普普圖像的啟發。選擇有普普教父之稱的安迪‧沃荷的絹印版畫風格，對創造性、色塊性、線條造形構圖及研究分析結果做為本研究執行製作浮雕藝術牆的特色。 本研究透過對安迪‧沃荷版畫的創作風格、表現型式及分析思維，將擅長的繪畫、印刷、攝影複合使用，大量複製重覆，取材平日大眾化題材特性，將研究過程的心得步驟嘗試結合石材、金屬、燈光投射後光雕效果，應用於本研究立體浮雕設計作一結合。 研究創作結果先將版畫版面分解順序排列，再將浮雕製作層層結構思考、層層媒材組合工法，依分解版面序號排列層次去完成平面立體化的浮雕藝術牆。用建築工法施工，才能一一克服完成，展現出本研究陰陽版畫印製特色及立體色彩層次新浮雕的新建物藝術牆。 經研究結果發現將平面圖案，透過結構主義，以分解不同色彩圖案步驟，製作不同的造型，善用不同素材的組合，設計出新的浮雕案，突破傳統雕與塑製作思維，讓浮雕藝術和建築物有更新的立體層次結合概念新作法。The purpose of this study is to explore how to switch graphic design to three-dimensional design and examine their differences as well as search for previous literaturesto understand the feasibility of these two designs. Some facades of the new buildings decorate with relief and also combine with relief engraving designs into their wall art. This paper will apply prints graphic design process and identify some conceptions of three-dimensional design which include chromatography method procedure, line massive combination of shape. These findings will reflect prints and wall art have such similar perspectives that make people curious about what a printmaking world is. The style of Andy Warhol prints is highly respected by younger generations and even impacts on fashion. For instance, pop images inspire many fashion designers and graphic designers. Due to these factors, this study will make a choice of pop godfather Andy Warhol’s serigraphy and analyze its creativity, color characteristics, line shape analysis of the composition as research results.As mentioned above, they are my specialty of this paper and integrate Andy Warhol’s prints style, performance type, analytical thinking intousing extraordinary painting, printing and photography and repeating copiesthen make themes popular.In the process, try to combine stone materials, metal and using light projection to create a Lightscribe effect. This technique reveals the effect of relief integrate into wall art. This study decompose print layout first, and then stack layers of relief printmakingand media in connection with each layer construction method, followed by decomposition of the plane which has marked earlier therefore plane print to become three-dimensional relief. This study uses building construction method toovercome difficulties. The construction method highlights the characteristics of yin and yang prints and creates three-dimensional color level of wall art. The study discovers that structuralism graphic prints can decompose the different colors and different patterns to produce a variety of different shapes. If people use different materials, they will be able to design a new relief. This approach differs from traditional sculpture production thinking and combines with relief art as well as architecture that make it connect a new concept and three-dimensional design.

Keywords: Andy Warhol, printmaking, relief