約翰．布拉姆斯《九首藝術歌曲，作品六十三》之樂曲分析與演奏詮釋

Abstract

約翰‧布拉姆斯（Johannes Brahms, 1833-1897），為浪漫主義中期之德國作曲家、鋼琴家與指揮家，作品種類涵蓋範圍廣泛，包含鋼琴曲、聲樂曲、室內樂、交響曲與合唱作品。作品六十三創作於 1873 年，分別使用馬克思‧馮‧胥肯多夫（Maxvon Schenkendorf, 1783-1817）、費利克斯‧舒曼（Felix Schumann, 1854-1879）、克勞斯‧格羅斯（klaus Groth, 1819-1899）三位詩人之作品，內容以回憶為主體，交替描述青春時的愛與歲月。

此書面報告分為五個章節，分別為第一章緒論，包含研究動機與目的、方法與 範圍，第二章敘述作曲家生平、聲樂作品與特色，並介紹作品六十三《九首藝術歌 曲》之創作背景與首演，第三章講述三位詩人之生平，第四章為樂曲分析與詮釋， 分析部分以 Breitkopf & Härtel 於 1927 年出版的樂譜做為參考，先進行詩意與樂曲 的結構分析，再逐樂段研究詩詞與音樂動機的關聯；樂曲詮釋則由鋼琴合作的角度 給予演奏建議，第五章以筆者研究心得之結語作收尾。

Johannes Brahms, the German composer, pianist and conductor of Romance period. He composed for diverse genres which included piano, vocal, chamber, symphony and choir works. Opus 63 was composed in 1873. Brahms cited the poems from Max von Schenkendorf, Felix Schumann, and Klaus Groth. The content was based on memories, describing the love and times in youth.The thesis has five chapters. The first chapter, which is introduction, described the purpose, approaches and methodology of the research, then introduced the life, Vocal works and characteristics of composer in chapter two. And elaborate the background and premiere of Neun Lieder und Gesänge, Op. 63. Chapter three illustrates the life of poets and the following chapter is music analysis and interpretation. The analysis part uses the music score published by Breitkopf & Härtel in 1927 as a reference, first analyze the poetic mood and the music structure, and then study the relationship between poetry and music motives section by section; the interpretation of music is explained from the perspective of piano cooperation. The final chapter is demonstrates my research review and conclusion.