漫畫的視覺戲劇性與分格表現之探討
Abstract
本研究以電影畫面的運鏡手法，探討漫畫創作時，圖像構成的戲劇張力。以電影運鏡的敘事方式表達漫畫內容的戲劇性，探討運鏡表現時的取景角度和手法所影響的畫面視覺效果。在漫畫視覺的動向表現上，結合電影分鏡剪輯方式表現作品的連貫性，將作品的時間點與空間性有效的與觀者互動，把作者要表達的主題意念清楚的傳達給觀眾。
漫畫形式可分為兩個架構，其一為圖像與文字的內容表現，其二為節奏性的敘事分格表現，將漫畫形式結合電影拍攝手法，使漫畫畫面更具戲劇性，增加其
視覺深度，並可利用漫畫獨特的表演手法，將其圖像作視覺上的誇張表現，讓畫面更具張力。在時間與空間的分格上，運用電影蒙太奇剪輯的方式，有邏輯性的連貫畫面與畫面之間的關聯，進而將這些具有連續性的鏡頭綜合，使它產生導演本身所意圖的效果，將這兩個架構完整的分析後，運用在筆者本身的作品上，使其作品更加成熟，更具風格與深度。
In this research, the way transportation to explore the comic creation and the images constitute a dramatic tension by the film mirrors. The content of expression of comic drama is to explore the performance of delivery the viewfinder mirror angles and way the visual impact of the screen, it is to transport to the film's narrative mirrors. The combination of film clips at ways mirror the coherence of the work trends in the performance of comic vision, the author of theme to express ideas clearly communicated to the audience and work to space of effective interaction with the audience. Comic can be divided into two structures: first, content of image and text performance and the second is to the combination rhythm of the narrative of performance and sub-grid to the form. Comic film means to make a more dramatic picture cartoons to increase their visual depth and to use of comic performances unique way to make a visual image of exaggerated performance of even more tension to allow the screen. In the sub-grid of time and space, the Montage clip way to use into the film. There are logical and coherent picture of the association between the screen and be integrated in the continuity of lens. Two organizations have a complete analysis to make the intention of the director of the effect itself will be used in the author's own works. This work would be more mature, more style and depth.
In this research, the way transportation to explore the comic creation and the images constitute a dramatic tension by the film mirrors. The content of expression of comic drama is to explore the performance of delivery the viewfinder mirror angles and way the visual impact of the screen, it is to transport to the film's narrative mirrors. The combination of film clips at ways mirror the coherence of the work trends in the performance of comic vision, the author of theme to express ideas clearly communicated to the audience and work to space of effective interaction with the audience. Comic can be divided into two structures: first, content of image and text performance and the second is to the combination rhythm of the narrative of performance and sub-grid to the form. Comic film means to make a more dramatic picture cartoons to increase their visual depth and to use of comic performances unique way to make a visual image of exaggerated performance of even more tension to allow the screen. In the sub-grid of time and space, the Montage clip way to use into the film. There are logical and coherent picture of the association between the screen and be integrated in the continuity of lens. Two organizations have a complete analysis to make the intention of the director of the effect itself will be used in the author's own works. This work would be more mature, more style and depth.
Description
Keywords
漫畫, 視覺戲劇