無主之地－賴品潔的創作實踐

Abstract

本創作研究以「無主之地」為題，旨在探討人在自己建構的世界中，可能遭遇的處境，並且試圖將人類群聚之特性與現象，與筆者對生活環境的感知作結合，透過平面繪畫的作品實踐，與創作發生關聯，期待以種種發生於人類世界的事件、動作，以藝術的視角觀看參與，搭建溝通的橋梁，進而引發新的議題討論。 「無主之地」是一個假想的邊陲境地，相對於人類社會中央核心的「有主地」。「主」為一抽象的概念，體現於構築人類社會、有形或無形的控制力量，可以是人類在發展進程中養成的文化意識形態，或是因人類活動，諸如政治、經濟行為下形成的體制。而「無主之地」作為一種不滿於現實的逃離之所，它處於邊境、臨界之處，權力中心的強弩之末；在此「主」的宰制力所不逮，被壓迫之人得以脫逃，被遮蔽之物得以彰顯，真相得以揭露，而個人對體制反動與發聲在此找到出口，成為一種可能。 研究架構主要分為五個部分，一、研究動機與目的，二、現實事件的相關論點與作品之連結，三、作品中的所含之元素，四、創作實踐的脈絡與呈現，五、結論，包含創作感想及未來展望。 論述希望透過反詮釋的手法，視作品為獨立個體，盡可能跳脫「我思」的框架，將「我」的角度抽離，不去嘗試解釋作品為何物，而是由作品出發，抱持開敞的態度，與外部世界他人的作品建立連結，並由兩者之間的激盪勾勒出作品的輪廓，看到作品與時代環境互動的癥象。The subject of this study is “Borderlands” in an attempt to investigate circumstances in the world human beings create might encounter and to connect people gathering as a society by its nature and phenomena associated to my living environment. By means of applied works and creative practice, my expectation, in terms of ongoing events and news, was that with artistic viewpoint toparticipant, to bridge and to facilitate new topics as a result.

The idea of “Borderlands” is an imaginative frontier relevant to “Lands” where as the cornerstone of human society. “Lands” is an abstract concept, which addresses control power lies in human society, invisible or physical. This could be cultural ideology cultivated in human development, or in the history of human activity over the years, such as mechanism resulting from political, and economical behavior. However, “Borderlands”, a spectrum of reality that is beyond the rational, yet is located on or near a frontier control power. And, “Lands” is, therefore, far beyond, for those compressed could therefore escape, those invisible situations could be revealed, truth could be exposed, and individuals and raise theirs needs. Thus, becomes a possibility.

In this study, the following five chapters are : (1), Purpose and overview; (2), Association to real events and present researches ; (3), Elements of each works; (4), Presentation of Applied Creative Practices; (5), Summary, including opinions and future perspectives.

My intention is to view art works as individual with anti- interpretation considered, away and beyond the “I Think” frame as much as possible. Separated the element of “I”, by means of open mind attitude, I tried not to explain meanings left behind, but to exam from the art work itself. By doing so, this study hopes to build a connection with others externally, to brainstorm the common prototype for art work, and to foresee the phenomena, interaction with the age.