時空交織・蕨語—鍾夙芬繪畫創作探析

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2024

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筆者自小酷愛參與大自然的戶外活動,這過程接觸最多、印象最深刻的就非「蕨類」莫屬了。自遠古即存在的蕨類,不但有堅毅的求生能力,能生存於條件苛刻的環境,依然抬頭挺胸、生意盎然,更有美麗的外型,記憶中常在陽光下揮灑它生命的璀璨。感動於此,於是筆者將它納入創作中,因為它在筆者記憶中的存在,已然伴隨著筆者生命的成長與脈動!以及參與了筆者生命中重要時刻的浮光掠影,猶如目擊筆者生命的見證者!透過模糊的殘存記憶、時空交錯,交織成畫。聽人說,保存歲月的最好方式,乃是將它變成畫卷或詩篇,而我擅長的是前者,畫卷就是我的生命詩篇。本論文架構凡五個章節,第一章緒論,闡述本文撰寫的研究動機與目的、研究內容與範圍、研究方法與步驟、名詞釋義;第二章《時空交織.蕨語》創作系列,聚焦創作緣起、時間及空間交錯的哲學思考;第三章創作理念與形式表現,在闡明創作理念與創作思維、使用蕨類意象元素的圖像思考、創作方法、創作成果分析與創作流程;第四章創作面向與作品解析,則就整體系列創作面向,以及個別作品解析;第五章結論則總結創作回顧與創作省思,並思考未來的創作展望。
I have loved participating in outdoor activities in nature since childhood. The most encountered and profoundly impactful in this process are none other than ferns. Ferns have existed on Earth since ancient times. Not only do they have a strong ability to survive, but they can also thrive in harsh environments, standing tall and full of life. They possess a beautiful appearance that, in my memory, often shines with the brilliance of their lives in the sun.I was moved by this, so I incorporated it into my creations. Their existence in my memory has accompanied the growth and pulse of my life. They have also been present in the glimpses of important moments, like witnesses to my life. Through the blurred remnants of memories and the interlacing of time, they become intertwined into paintings. I've heard people say that the best way to preserve time is to turn it into a picture scroll or a poem, and I excel at the former. The picture scroll is the poem of my life. This thesis is structured into five chapters. The first chapter is the introduction, which explains the research motivation and purpose, research content and scope, research methods and steps, and terminology used in this article. The second chapter, "The Interweaving of Time and Space," focuses on the 'Fern Language' creative series, delving into the origin of creation and philosophical thinking on the interweaving of time and space. Chapter 3 explores creative concepts and formal expressions, elucidating creative thinking, image thinking using fern imagery elements, creative methods, and an analysis of creative results and the creative process. The fourth chapter delves into the creative aspect and work analysis, providing an analysis of the overall series as well as individual works. The fifth chapter, the conclusion, summarizes the creative review and reflection and considers future creative prospects.

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記憶, 浮光掠影, 模糊, 時空交織, 錯置, memory, glimpse, blur, time interlacing, misplacement

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