跨文化認同、自傳與圖像小說的結合——— 以《未來的阿拉伯人》為例
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2020
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擁有敘利亞籍父親與法國籍母親的圖像小說家黎亞德・薩圖弗（Riad Sattouf）以其得獎作品《未來的阿拉伯人》（L’Arabe du Futur）聞名。該作品描繪作者幼時於利比亞、敘利亞及法國等地生活的童年記憶，繼2000年出版的《我在伊朗長大》（Persepolis）後成為同以中東世界為背景的暢銷自傳圖像小說。本文主要探究《未來的阿拉伯人》作為自傳圖像小說，如何藉圖像與文字表述歷史及其認同。首先從作者的身份與作品的出版背景及敘事背景爬梳法阿關係；接續探討圖像敘事與自傳敘事的結合及其發展；最後從自傳圖像小說的角度分析《未來的阿拉伯人》如何建構不同文化與國族的世界，透過圖像與文字的結合進行其生命書寫，從內容到形式，深度由內而外剖析《未來的阿拉伯人》作為暢銷自傳圖像小說，在法國社會的角色與意義。
Riad Sattouf, a Franco-Syrian graphic novelist, is known for his award-winning work L’Arabe du Futur. The work depicts the memories of the author's childhood in Libya, Syria, and France. After Persepolis which was published in 2000, it became the best-selling autobiographical graphic novel with the Middle East background. This study aims to explore how L’Arabe du Futur present history and the author’s identity by words and images as a graphic novel. Firstly, this paper sorts out the relationship between France and the Arab World by the author’s identity and the publishing and narrative background of the work. Secondly, the combination of graphic narrative and life writing and its development is discussed. Finally, the paper analyzes how L’Arabe du Futur construct the worlds of different cultures and nationalities through the mix of images and words to carry out Sattouf’s life-writing. From content to form, we see the role and significance of L’Arabe du Futur as a best-selling autobiographical graphic novel in France.
Riad Sattouf, a Franco-Syrian graphic novelist, is known for his award-winning work L’Arabe du Futur. The work depicts the memories of the author's childhood in Libya, Syria, and France. After Persepolis which was published in 2000, it became the best-selling autobiographical graphic novel with the Middle East background. This study aims to explore how L’Arabe du Futur present history and the author’s identity by words and images as a graphic novel. Firstly, this paper sorts out the relationship between France and the Arab World by the author’s identity and the publishing and narrative background of the work. Secondly, the combination of graphic narrative and life writing and its development is discussed. Finally, the paper analyzes how L’Arabe du Futur construct the worlds of different cultures and nationalities through the mix of images and words to carry out Sattouf’s life-writing. From content to form, we see the role and significance of L’Arabe du Futur as a best-selling autobiographical graphic novel in France.
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跨文化認同, 自傳, 圖像小說, 法國, 《未來的阿拉伯人》, transcultural identity, autobiography, graphic novel, France, L’Arabe du Futur