被動建立的價值—劉威成創作論述

Abstract

本論文描述、記錄了現代個人與群體的結構關係，並以此為概念創作、實踐。筆者自生活經驗體認到個體透過包裝進而建立形象、而被觀看。本文藉社群主義與現代性社會理論，建構出現代性生態模型，表述在科技、資訊影響下的現代社會關係。以觀眾心理學表述關係裡展演與接收的過程，依據觀眾的回饋給予反應，隨時轉變自身的狀態呈現。人們本能希望的擁有歸屬與認同，在觀看、被觀看關係之中尋求價值認定筆者將這樣的行為心理稱作「被動建立的價值」。對其提出四項特點進行探討，「認同建構」、「變動性」、「保護層」以及「商品化體現」，現代性社會中有良好、多元的資源展現自己，我們將自身轉化為商品，包裝、行銷。筆者以「青銅」為創作主軸，透過其特性和歷史意義對應人與群體的關係。青銅鏽蝕質地根據所處環境被塑造形成，賦予其新的價值認定，同時青銅器於歷史意義上具有給予地位、價值認定之象徵。本文作品以青銅質地與各不同載體轉化融合，擁有新的寓意表述，透過「青銅質地的再現與融合轉化」、「展演與中介表現」、「象徵與寓意」三點討論之。最後，筆者透過本文學理研究與作品梳理自身思想脈絡，接續概念與現代性社會觀點，在往後更深入、廣闊、持續地進行藝術創作。This thesis describes and records the structural relationship between modern individuals and groups, and uses this as a conceptual creation and practice. The author realizes from life experience that the individual builds an image through packaging and is viewed. This article uses Communitarianism and modern social theory to construct a modern ecological model to express the modern social relations under the influence of technology and information. It expresses the process of performance and reception in the relationship with audience psychology, responds to the audience's feedback, and changes its state at any time. People instinctively hope to have belonging and identity, and seek value recognition in the relationship between watching and being watched. The author calls this behavioral psychology "passively established value." Discuss the four characteristics it proposes, " Construct Identification ", "Variability", "Protection Layer" and "Commodification " In a modern society, there are good and diverse resources to show ourselves. We transform ourselves into commodities. Packaging and marketing. The author takes"Bronze" as the main creative axis, and corresponds to the relationship between people and groups through its characteristics and historical significance. The rusty texture of bronze is shaped according to the environment, giving it a new value identification. At the same time, bronze ware has a symbol of status and value identification in the historical sense. The work in this article uses bronze texture and various media to transform and merge, and has a new allegory expression. It is discussed through three points:"Reproduction and Fusion of Bronze Texture", "Performance and Intermediary Performance", and "Symbol and Implied Meaning". Finally, the author sorts out the ideological context through this literary theory research and works, continues concepts and modern social viewpoints, and makes artistic creation more in-depth, broad and continuous in the future.