希達斯《為雙簧管與鋼琴的協奏曲》之分析與詮釋
Abstract
本篇論文除了蒐集作曲者希達斯（Hidas Frigyes, 1928-2007）中外文文字資料外，筆者將透過和聲分析希達斯在《雙簧管協奏曲》中的段落結構，找尋希達斯所擅長使用的作曲手法與其他作曲家有何不同。並分析和聲進行對於主旋律造成的變化，找出和弦色彩與主題和聲進行的關係。將曲式結構加以表格方式呈現並加以分析；將對樂曲中較為特殊的段落輔以筆者的經驗以及詮釋加以解說。期盼這個研究可以讓後人對希達斯、匈牙利音樂的發展、或是此首《雙簧管協奏曲》有更深的體會，更多的了解。
In this thesis, in addition to collecting information about the composer Hidas Frigyes (1928-2007) via literature research in various languages, the author will analyze the structure of Hidas' Oboe Concerto through harmony analysis, to unterstand Hidas' compositional techniques and the difference between him and other composers. Musical form and harmony analysis will be present in table format. Special sections of the piece will be explained with the author's own experience and interpretations. The author hopes this study allows the future generations to better understand Hidas' music and Hungarian music as a whole.
In this thesis, in addition to collecting information about the composer Hidas Frigyes (1928-2007) via literature research in various languages, the author will analyze the structure of Hidas' Oboe Concerto through harmony analysis, to unterstand Hidas' compositional techniques and the difference between him and other composers. Musical form and harmony analysis will be present in table format. Special sections of the piece will be explained with the author's own experience and interpretations. The author hopes this study allows the future generations to better understand Hidas' music and Hungarian music as a whole.
Description
Keywords
希達斯, 雙簧管協奏曲, Hidas, Oboe Concerto