台語歌詞與音樂的對應關係──以柯芳隆的大型台語合唱作品為例

Abstract

本論文研究嘗試以音樂學、語言學與文學為理論基礎，針對極具代表性的國人大型台語合唱作品、由作曲家柯芳隆所創作的《兩千年之夢》與《二二八安魂曲》進行深度的分析。論文中將探討《兩千年之夢》與《二二八安魂曲》二部作品中歌詞的聲韻、詞意與詞性結構與音樂之間的對應關係。希望透過本論文之研究，為後人在研究或創作台語合唱作品時，提供一些可供參考的研究分析之面向，並能藉此提昇台語合唱作品的深度與藝術性，進而達到本土作品國際化、高度藝術化之目的。

The present dissertation bases its theoretical grounds on musicology, linguistics, and literature. The researcher has made an attempt to conduct an in-depth analysis on Fan-Long Ko’s musical works, i.e. his large-scale Taiwanese Choral works (with orchestral accompaniment) entitled “Dream of Year 2000” and “228 Requiem”. Specifically, the researcher has focused on the corresponding relationships between lyrics and music in terms of prosody, meaning, and the morphological structure of words and phrases of the lyrics. The aim of this dissertation research is twofold: First, to provide some analytical insights for those who intend to conduct research on Taiwanese choral works. Second, to promote the depth and artistic quality of Taiwanese choral works, further leadling to the internationalization and artistic refinements of Taiwanese compositional works.