拉威爾鋼琴作品《鏡》詮釋報告

Abstract

隨著民族意識的抬頭，復興民族文化的呼聲於十九世紀末逐漸高漲，此時正是影響法國音樂的發展的歷史關鍵時刻，摩利斯‧拉威爾( Maurice Ravel, 1875-1937)在音樂創作中流露出獨特性與藝術性，成為樂界矚目的焦點。曲集《鏡》( Miroirs, 1905)於拉威爾眾多作品中具有相當的重要性，其和聲的多彩繽紛、與樂句之間的層次變化，真切地將樂曲標題欲傳達的意象呈現出來，每首樂曲猶如一幅幅精緻的畫作將景色嶄露於音樂中。這五首作品標題分別為〈夜蛾〉( Noctuelles)、〈悲傷的小鳥〉( Oiseaux tristes)、〈海上孤舟〉( Une barque sur l'océan)、〈小丑的晨歌〉( Alborada del gracioso)、〈鐘谷〉( La vallée des cloches)，曲集中的音樂就像鏡子一樣，將各首標題敘述的景象或意念反映出來。 在研究此作品時，筆者先就拉威爾身處之背景環境、其音樂風格做資料整理，爾後探究其樂曲素材運用，接著進行演奏詮釋之討論，最後就有聲資料的參考比對，作為對於一樂曲有最精確、細膩演繹的參考。

With the consensus of reviving national culture, the end of 19th Century is a crucial moment bridging the past and the future in the development of French music. With unique artistic quality, Ravel's compositions receive focus among all comtempory musicians.His piano work Miroirs keeps significant importance in Ravel's repertoire. Just like refined pantings, each piece in Miroirs reflects the image in the music, with the colorful chords and the gradation of phrases, vividly displaying different scene. Among these collection, music is just like a mirror ,reflecting what the title indicated. The five titles are: " Noctuells" ," Oiseaux Tristes" ," Une Barque ser l'Océan" ," Alborarda del Gracioso" ," La Vallée des Cloches". To persue much more accuraty and better performace ,when doing research of this work. At first, I started from investigating Ravel's background and his musical style. Then, I analyzed the materials used in this work. At last, besides the comparison of recordings from different pianists, the interpretation of this work are discourse in this interpretation paper.