費利克斯·德萊賽克《降B大調單簧管奏鳴曲，作品三十八》之樂曲分析與詮釋

Abstract

十九世紀中期歐洲興起以法蘭茲．李斯特（Franz Liszt, 1811-1886）及威廉．理查．華格納（Wilhelm Richard Wagner, 1813-1883）為首的「新德意志樂派」（New German School），提倡多個新興樂種的創新，而德國作曲家費利克斯．德萊賽克（Felix Draeseke, 1835-1913）亦是其中一員。全文探討德萊賽克創作於1887年的《降B大調單簧管奏鳴曲，作品三十八》（Sonata in B-Flat major for Clarinet and Piano, Op. 38），經由筆者的研究與和聲的分析發現此曲展現大量的素材拼貼、主題動機的多重再現、單簧管與鋼琴之間的密切關係以及戲劇性的氛圍轉換，同時帶著浪漫保守派的風格。

本論文共分為四個章節：第一章為緒論，說明引發筆者的研究動機與目的及研究範圍與方法。第二章將透過資料庫統整作曲家的生平及樂曲創作背景特色。第三章為全曲的架構整理、和聲分析與筆者的演奏詮釋以及第四章將彙整以上的結果作為結論。期望透過深入的了解與統整，能貼近當時的音樂風潮與樂曲樣貌，進而提升對樂曲的敏銳度及詮釋的巧思。Having Franz Liszt and Richard Wagner as representatives, the “New German School’ had promoted renovations of several new genres in the mid-19th century Europe, and among them is German composer Felix Draeseke (7 October 1835-26 February 1913).This dissertation focuses on Draeseke’s Clarinet Sonata in B-Flat, Op. 35, composed in 1887. The author has discovered a huge number of combinations of different materials, multiple recapitulations of the motif, the close relationships between clarinet and piano, and dramatic phenomenon switching during analyzing its harmony and further researching into this piece, which nonetheless sticks to conservative Romanticism.

There are four chapters in this dissertation. The first one narrates purpose, range, and researching method of this dissertation. The second one is about the information and background of the composer. The third one digs deeper into the piece and focuses on structure, harmony, and the author’s interpretations. In the last chapter, there will be a conclusion wrapping all the contents above up. Expected is that via in-depth studying, there could be more possibilities and sensitivity for interpreting more similarly to how this piece should have been like in Draeseke’s era.