歌劇拍製的理念與實踐－以《依多美聶歐》為例

Abstract

影音記錄在音樂展演活動中的使用，大多為單台攝影機從定點拍攝，本研究為展現完整的舞台設計與服裝道具，呈現演員活動的細節，增加了攝影機使用數量，並以導播機現場同步連線，在演出現場操控攝影師指令，並以後製剪輯將所有畫面彙整、製作成為影音光碟。 本研究著手於歌劇拍製的製作品質及內容探究，研究過程分為三階段，第一階段為導演發想歌劇製作過程時，透過劇本研討及採排過程的紀錄；第二階段則研讀樂譜設計導播指令，於演出當時操控攝影機畫面。第三階段則將所有擷取到的演出畫面作細部修改，與導演一同進行後製剪輯。剪輯成果包含兩部分：正式演出及幕後花絮，前者為正式演出之內容，後者則呈現劇作的製作細節。

Most of the video recordings of music performances are conducted with a single static camera. To preserve full presentation of the stage set, props and costumes, this project increases the number of cameras aiming to present the opera in full details. With the help of mobile studio, we not only can monitor and direct the cameras throughout the performance, but input the images into the computer and edit the end product together. This study focuses on the quality and content in video-casting an opera, the research is divided into three parts: the first is to record the script-reading and rehearsals in the preparation; the second is to design the take by close-reading the score and control the cameras during the performance; the last part is to input all the captured images into the computer and edit with the director. The final product is composed of two parts, namely the actual performance and the making of the production, the former for the content of the formal performance, while the latter presents the plays on the construction details.