繪畫中的時間與對稱風景創作之實踐與探討—梁佳玲繪畫創作論述

Abstract

本文以筆者的作品為例，旨在探討創作者與作品圖像之間的雙向關係。研究集中在兩個主題：為繪畫中「對稱視覺美感」及「影像中的時間性」。

內容以「回顧」的方式切入，從創作者對於自我進行理解與反思之後，帶入一種自我「檢視」之手法，並從作品中發現個人的特質，進而「發展」的過程。

以生活中有感之觀察現象，對自我進行釐清與詮釋。接著藉由探究創作思想來源和學理基礎，圍繞在以「時間」、「空間」、「美感」及「影像」之相關論述，其中串連相關藝術家及筆者個人作品與概念相互滲透、進行編織。進而闡述筆者自身之創作內容形式，及作品解析（包含畢業展覽之規劃…等）。最後，總結出筆者的創作心得，及對未來創作發展的期望。

In this paper it is the author’s purpose to explore the two-way relationship between the creator of the work and the images created. This research focused on two main subjects: painting "symmetrical visual beauty" and "time in the picture." Content started from the way of "review", from the creator of the self conducted after understanding and reflection, into a kind of self "View" approach, from my works I was able to find my own personal traits, and then the process of "development." To observe the phenomenon of felt life, required for self-clarification and explanation. By then explore the creative source of ideas and theoretical basis, it focus on and around the concepts of "Time", "space", "beauty" and "image", which I personally series related artists and works with the concept of mutual penetration. It then describes the author's own creative content and form, and analytical work (including graduate exhibition planning, etc.). Finally, the author of this thesis summed up the creative experience, and expectations for future creative development.