德布西早期鋼琴作品《貝加馬斯克組曲》、《夢》、《舞曲》、《夜曲》之詮釋報告

Abstract

法國音樂家克勞德‧德布西 (Achille-Claude Debussy, 1862 -1918) 為二十世紀音樂的先鋒之一。德布西早期作品在脫離浪漫樂派影響的同時，表現出強勁的生命力。本文透過德布西早期鋼琴作品，討論德布西作品的淵源與風格，並以《貝加馬斯克組曲》、《夢》、《舞曲》、《夜曲》四首德布西早期鋼琴作品的演奏詮釋，作為認識法國二十世紀音樂的橋樑。 本論文第一章為緒論，說明研究動機與目的、研究範圍與方法。第二章為德布西的生平與鋼琴音樂，從德布西的生平、時代背景，探討德布西鋼琴音樂的風格。第三章為樂曲分析，討論《貝加馬斯克組曲》、《夢》、《舞曲》、《夜曲》的樂曲架構、音樂特色與素材運用。第四章為演奏詮釋，以鋼琴演奏的角度，探討合適的詮釋與演奏觀點。第五章為結論。

French musician Achille-Claude Debussy (1862-1918) is one of the 20th century music pioneers. His early works have a strong vitality in music in terms of the influence on music to be away from the genre of Romantic Music. Based on Debussy’s early piano works, this paper discusses the origin and style of his works and uses the performance interpretation of his four piano works Suite Bergamasque, Revêrie, Danse and Nocturne as a bridge to recognize the 20th-century music in French. The first chapter of this paper is the introduction, which describes the research motive, research purpose, field of research and research method. The second chapter is about Debussy’s life and piano works. It explores the style of his piano works according to his life and historical background. The third chapter is musical composition analysis, which discusses the musical structure, music features and material application from his four music works. The fourth chapter is performance interpretation, which explores proper interpretation and performance viewpoints from the perspective of piano performance. The last chapter is the conclusion.