武滿徹三首給小提琴與鋼琴之作品研究

Abstract

武滿徹(Toru Takemitsu, 1930-1996)為二十世紀日本近代的現代作曲家。他一生創作給小提琴與鋼琴編制的作品僅有三首，分別是《妖精的距離》、《悲歌》、《十一月的霧與遠方的菊》。本文以這三首小品作為主要研究對象，依照音樂學家伯特(Peter Burt)對武滿徹創作分期的劃分，這三首樂曲剛好分屬三個不同創作時期。從樂曲風格特色與創作手法可以看到武滿徹音樂寫作的演變，一窺武滿徹音樂創作思維。Toru Takemitsu(1930-1996) is a Japanese contemporary composer of the 20th century. There are only three works that he wrote for violin and piano in his life, namely “Distance de Fée”, “Hika” and “From far beyond Chrysanthemums and November fog”. In this paper, the three pieces as the main study object, according to the musicologist Peter Burt division of the creation of Toru Takemitsu, the three pieces just belong to three different creative periods. The Toru Takemitsu’s music evolution can be seen from the style and the technique he used, a glimpse of his philosophical thinking of music.