太陽光的傳承－撒固兒部落豐年祭紀錄

Abstract

本篇書面報告以撒奇萊雅族撒固兒部落豐年祭為記錄主軸，豐年祭為部落一年之中最大盛典，此方面音樂文獻資料少之又少，論文研究更是完全沒有，而公開的音樂文獻也僅有甫正名時的兩個調查案，距今已10多年過去，比對過往資料與現在，因演唱者不同，唱法與記譜都有些微落差，並且仍有尚未採集的歌謠，故筆者於此篇書面報告除了講述影片的詮釋、拍攝手法外，也有一章節是有關現豐年祭上使用的所有傳統歌謠，以五線譜記載音高與歌詞，並搭配樂曲的解說。盼本書面報告除了為部落留下一份調查資料外，在若干年後，這份影音搭配紙本的紀錄也能給往後欲查詢資料者一份參考。

This paper focuses on the Malalikid of the Sakizaya Sakul tribe in 2020. Malalikid is the biggest and the most original festival of the tribe every year, however, it exists very few documents and records about the music of Malalikid, rather without research paper. There are only two research cases that can be found since the government regarded the Sakizaya as one of the Taiwanese indigenous.Comparing the past and the present, it has been more than 10 years, due to the different singers, the methods and notations of singing are slightly different, and some traditional songs are still not recorded. Therefore, in this paper, I would emphasize not only the video’s interpretation but also the shooting techniques of the film. Except for these, there has a chapter talking about the usage of all traditional songs on Malalikid, recorded pitches and lyrics through stave, with program notes.The main propose of writing this paper is not only to preserve the research paper for Sakizaya Sakul tribe but also to provide as a reference for whom would like to realize Sakul’s Malalikid in the future.