王建民《第四二胡狂想曲》之分析與詮釋

Abstract

王建民的「二胡狂想四部曲」挾著高超技巧與濃烈的中國民歌風格，颳起了鮮明現代色彩的魅力炫風，所到之處無不轟動。筆者不禁思索，是什麼樣的魅力促使王建民的狂想曲風靡作曲、專業、教學領域？為什麼王建民的作品能夠成為現代二胡的代表、獨領風騷稱霸一、二十年？希冀透過本研究能更透徹精確地分析樂曲，並在演奏詮釋上有所突破。 在論述架構上，本文主以作曲家於「我的旋律語言與技術」講座中提及的概念為基礎，歸納其生平、學經歷背景及其創作理念，就曲式結構、旋律素材、節奏模式、和聲進行等進行樂曲分析，最後以旋律力傾向與動態分析建立筆者的演奏思維，以求理性與感性的平衡拿捏。 筆者在研究結論中指出，王建民善用狂想曲的體裁特色，在高超複雜的作曲技法中隱伏著動人心弦的民歌靈魂，並打破了規準的節奏型態，以堆疊的核心音程建立豐富炫爛的色彩和聲，繪出色彩斑斕的風情畫。透過本文拋磚引玉，盼能在二胡演奏的領域與研究上盡棉薄之力。Wang Jianmin is a leading contemporary composer, who has accomplished four Erhu Rhapsodies which have been greeted with tremendous enthusiasm in the Erhu circle. This dissertation seeks to discuss the reason why his works are the most representative of Erhu music nowadays.

This dissertation sums up his life, education, experience, and creative ideas and summarized the No.4 Erhu Rhapsody’s musical structure, melodic material, rhythmic patterns and harmony in an analysis of the music. According to Wang’s theory, one should play with the correct melodic style and dynamic analysis to establish the composer’s ideas, for the right balance of rationality and emotion while performing.

As the author indicates in the conclusion, Wang makes good use of rhapsody and folk song features. He also uses subtle yet complex composition techniques, such as breaking rhythm patterns and using colorful harmony, to compose music which touches the soul. This dissertation provides a new point of view for further research in the future.