離鄉‧返鄉─流動的記憶繪畫創作研究

Abstract

本論文以「滴‧流」為主題，透過畫面流動的方式表達筆者調動返家的經過，藉由記錄環境表達人去樓空之感，探討生命在每個階段的蛻變與感觸。作品大致可分成三個系列：《滴流》系列是以自身生活經歷訴說回到家鄉的情感；《雨景》系列是以窗戶為元素，透過雨天從窗戶望外看的方式，一種清楚與模糊之間，感受對家鄉思念的記憶；《倒影-家》系列是以家為主，在水面中有樹影交錯，情景交融，利用記憶的模糊與交錯，表達對家人的情感。 藉由壓克力滴流的自動性技法方式塗抹在畫布上，局部再結合油畫，營造別於油畫厚塗之感，既流動又厚實、清楚又模糊、真實又虛幻，探討筆者離家又返家的記憶，既衝突又和諧的矛盾思鄉感受。 本文撰寫分五章，各章節摘要如下：第一章研究動機、目的、方法、架構、研究範圍與限制並在名詞解釋中詮釋創作主題「滴‧流」、「倒影-家」及「雨景」。第二章針對個人創作理念論述，探討超現實主義、鄉土寫實主義、抽象表現主義以及美感理論創作哲思，對繪畫創作的影響。第三章討論創作者內容與形式，主要的創作媒材與技法。第四章作品說明，透過本章理解創作者觀點與繪畫創作目的。第五章結論中檢討本次創作的心得並對未來創作方向作說明。

In this paper, "Drop‧stream" as the theme, through the flow of pictures to express the author to mobilize the return home, By recording the environment to express the feeling of people empty, explore the metamorphosis and feelings of each stage of life. Works generally Can be divided into three series: "trickle" series is based on their own experiences to tell the feeling of return home; "Rain King" Series is a window as an element, looking out the window from the outside through rainy days, a clear and fuzzy sense Affected by memories of hometown; "Reflection - home" series is home-based, there are trees in the water surface staggered, the scene Blending, the use of memory fuzzy and staggered, to express the emotion of the family. Acrylic drip flow by the way of automatic techniques applied to the canvas, the local combination of oil painting, to create different from the thick coating of oil painting, both flowing and thick, clear and fuzzy, real and illusory, full of antinomy Ways to explore the writer's home and home memories, both conflict and harmony of the contradictory state.This article is divided into five chapters, each chapter is summarized as follows: The first chapter studies the motivation, purpose, method, structure, scope and limitations of the study and explains the creative theme of "Drop ‧ Flow", "Reflection - Home" and "Rain King" in terms of nouns. The second chapter deals with the concept of personal creation, discusses the influence of surrealistic, local realism, abstract expressionism and philosophical creation of aesthetic theory on painting creation. The third chapter discusses the creator content and form, the main creative media and techniques. The fourth chapter explains the works, through this chapter to understand the creators point of view and the purpose of painting. The fifth chapter reviews the experience of this creation and illustrates the direction of future creative work.