地方與奇觀──從「地方」觀點看黃郁筑水墨創作

Abstract

本文以人文地理學中的「地方」觀點切入，藉由生活檢視，釐清筆者一輩對於自我文化的疏離感之現象，並陳述黃郁筑水墨創作的特殊性與理念。由生活經驗與反省出發，回顧相關的文獻及梳理臺灣歷史事件與藝術史相互影響的發展脈絡，以階段性地方觀點的轉變對照臺灣社會發展的過程，點出目前所面臨文化圖像的缺乏與自我文化疏離感危機，體現「地方」觀點的價值，並期許經由作品地方觀點的提出與分析，增加筆者及他人對於自身文化的興趣與認識。

The research based on the view of “place” by Human Geography, in order to reveal the phenomenon of the estrangement between people of writer’s age and our culture, and state the specific and ideas of Ink Paintings by Huang Yu-Chu. Start from writer’s experiment and introspection from life, by reviewing relational documents and arranging the development by interaction between historical events and Art history in Taiwan, compared with the phases between transitions of “the view of place” and developments of society in Taiwan, reflecting the merit on the opinions of “place” via pointing out the crises with the vacant cultural image and the estrangement between people and their culture. Through the mentions and analyses from the opinions of the paintings, we may expect the increase of interests and recognitions by writer and the others.