介於透明與半透明之間－王睿睿創作論述
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2022
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本論文記錄筆者從自我覺察到產出系列作的創作過程。在求學階段對生活產生消極負面的情緒，並出現倦怠感受。透過尋找問題的過程覺察個人，發現自己的精神性逐漸流失、靈光不在，希望藉由創作的過程，來消弭在環境中感受到的不安全感，呈現自我之本真，並在一次次的實驗中，完成了《透明與半透明間》的系列作品。筆者從自身經驗與自省出發，在研究的過程中找到自我的需求，同時在平面繪畫裡實驗不同媒材，激盪出材料的創新與可能性。《透明與半透明間》系列作以透明底材：塞璐璐片、壓克力板與流動性的壓克力顏料，研究平面繪畫的視覺空間與心理空間，發展各種深度與不同觀看方式的可能。創作中融入山水與植物，挪用山水畫中經典作品的觀點，希望藉由東方山水的書寫性與逸趣與西方媒材的撞擊產生火花，也能為現代人心集體焦慮獻上一筆。透明的載體宛如筆者之溫室，透過這樣的保護，將寶貴的真心放在其中分享予觀者。
The thesis presents the records of the art creation process from self-observation to artwork series creation. The author suffers from burnout to life and has negative emotions to the current environment. During the process of figuring out the core problem, the author observes that her spirit and aura are losing. The author hopes to reduce the feel of insecurity with art creation. With the process of iterative creation and introspection, the author creates the series of “Between transparency and semi-transparency” artworks.Started from her own experience and introspection, the author discovered self-demands from the research process, and experimented the innovation and possibility of modern media from painting. The series of “Between transparency and semi-transparency” artworks utilize transparent media: celluloid nitrate, acrylic sheet, and acrylic paints. It investigates how the visual space and psychological space of painting can be extended to various depths and different ways of seeing. With landscape and plants brought into the creation and the viewpoints of classic landscape artworks are appropriated, the author hopes to create artworks for those anxious people by combining the Eastern landscape paintings with Western creation media. The transparent media is also taken as the author’s greenhouse, make the true heart to be protected and exhibited in there.
The thesis presents the records of the art creation process from self-observation to artwork series creation. The author suffers from burnout to life and has negative emotions to the current environment. During the process of figuring out the core problem, the author observes that her spirit and aura are losing. The author hopes to reduce the feel of insecurity with art creation. With the process of iterative creation and introspection, the author creates the series of “Between transparency and semi-transparency” artworks.Started from her own experience and introspection, the author discovered self-demands from the research process, and experimented the innovation and possibility of modern media from painting. The series of “Between transparency and semi-transparency” artworks utilize transparent media: celluloid nitrate, acrylic sheet, and acrylic paints. It investigates how the visual space and psychological space of painting can be extended to various depths and different ways of seeing. With landscape and plants brought into the creation and the viewpoints of classic landscape artworks are appropriated, the author hopes to create artworks for those anxious people by combining the Eastern landscape paintings with Western creation media. The transparent media is also taken as the author’s greenhouse, make the true heart to be protected and exhibited in there.
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意識流, 透明載體, 半透明性, 空間感知, 精神性山水, 挪用, Stream of consciousness, transparent media, semi-transparency, space perception, spiritual landscape, appropriation