台日韓的多聲連線:台式職棒應援聲響的建構

dc.contributor蔡如音zh_TW
dc.contributorEva, Tsaien_US
dc.contributor.author林廷燁zh_TW
dc.contributor.authorLIN, TING YEHen_US
dc.date.accessioned2022-06-08T02:44:55Z
dc.date.available2022-01-27
dc.date.available2022-06-08T02:44:55Z
dc.date.issued2022
dc.description.abstract中華職棒(CPBL)五支球隊,近年來各自打造出專屬的應援文化。隨著時空背景的演變,職棒應援經歷跨國元素的挪用與混雜,讓外界想像出多元的「台式」文化框架。1990年至2012年時期,台灣職棒的應援文化承襲日式樂隊演奏聲響,由應援團團長和成員以吹奏喇叭小號和敲鑼打鼓,加上現場球迷之口號喊聲和應援道具的運用,呈現出帶有氣勢震撼的本地應援聲響;2013年Lamigo桃猿(現名為樂天桃猿)於桃園主場創造「猿風加油」,從中添加源於韓國職棒應援的電音聲響。桃猿隊的應援創新,也逐年帶動其他球隊走向主場全電音的應援趨勢,建構含有台日韓元素的新型「台式」職棒應援文化。本研究採用兩種質性研究方法。第一種為應援影片文本分析,從YouTube影音平台蒐集職棒四支球隊比賽應援相關影片,並分成主場、客場和國際賽三種情境來觀察代表性球員的應援曲以及球隊進攻嗆司曲。研究分析中觀察到隨著比賽情境的差異,體現多聲聲響的台式應援文化。第二種以訪談樂天桃猿、中信兄弟和味全龍三隊的應援主團長,除了築構球隊各自的應援特色為何,也嘗試建構跨世代對於職棒應援文化的「台式」想像框架。研究者盼能以影片文本分析加上訪談的質性研究方法,提供學界對於台灣職棒應援聲響文化的認識。zh_TW
dc.description.abstractThe five teams of the Chinese Professional Baseball League (CPBL) have developed their own cheering style in recent five years. There are signs of transnational cultural appropriation and hybridization, which painted a"Taiwanese" cultural imagination for the fans. Between 1990 and 2012, The cheering style referenced the marching bands (namely brass band) of Japanese high school. Cheering band members performed with trumpets, gongs and Chinese drums, whose cheering sounds were surged with great momentum. In addition to that, fans chanting and cheering props also played an important role in baseball cheering culture. The cheering sounds and music took a divergent turn after 2013, when Lamigo Monkeys (namely Rakuten Monkeys ) added an electronic music element. It was originated from Korea Professional baseball cheering culture to create new supporting atmosphere in the Taoyuan International Baseball Stadium. The new cheering sound culture from Lamigo Monkeys attracted to other four teams to introduce electronic music into their Home game. It has represented another framework of"Taiwanese" baseball cheering culture that Japan and Korea cheering sound elements were included, will be constructed in the world. This research uses two kinds of qualitative methods to observe the construction of Taiwan Professional baseball cheering sound culture. The first method is that the researcher analyzed different types of cheering songs, such as team theme, players songs, and “Chance” songs --- derived from Japanese sports culture to indicate an opportunity in the game. The researcher also analyzed the cheering music according to the different scenarios, such as home game, away game, and international games. The second method is to interview the team leaders of the cheerleading squads on three teams: Rakuten Monkeys, Weichuan Dragons and CTBC Brothers. Not only can they build up their respective features, but also represents the multi-generational imagination of ‘Taiwanese ‘cheering culture framework. According to these qualitative methods, this research shows that the development of ‘Taiwanese’ cheering style, appropriated and hybridized elements from the Taiwanese, Japanese, Korean and American baseball culture. In particular, music and other sounds element which attract lots of fans to the baseball stadium have played an important role in representing different frameworks of ‘Taiwanese’ cheering soundscape.en_US
dc.description.sponsorship大眾傳播研究所zh_TW
dc.identifier60788016I-40845
dc.identifier.urihttps://etds.lib.ntnu.edu.tw/thesis/detail/0fa2a4ae0106bffa29eb2fbba116b943/
dc.identifier.urihttp://rportal.lib.ntnu.edu.tw/handle/20.500.12235/117406
dc.language中文
dc.subject職棒應援zh_TW
dc.subject聲響與聲景zh_TW
dc.subject文化混雜挪用zh_TW
dc.subject應援團zh_TW
dc.subject台式文化zh_TW
dc.subjectProfessional baseball cheeringen_US
dc.subjectsounds and soundscapeen_US
dc.subjectcultural appropriation and hybridityen_US
dc.subjectcheerleaderen_US
dc.subjectTaiwaneseen_US
dc.title台日韓的多聲連線:台式職棒應援聲響的建構zh_TW
dc.titleSonic Connections among Taiwan, Japan, and South Korea:Constructing the Taiwanese Cheering Sounds at the Chinese Professional Baseball League (CPBL) Gameen_US
dc.type學術論文

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