克倫姆《直上山崗》之分析研究 與自我音樂創作之運用

Abstract

克倫姆為當今活躍於美國的作曲家，受到德布西、巴爾托克、梅湘與貝里歐影響，營造特殊音色與氛圍。風格範圍廣泛，多首作品融合西方藝術之傳統、詩歌與民俗音樂到非西方音樂，並加入自身創作技巧，成為他的音樂語言。 本論文透過研究克倫姆《直上山崗》，探討音色與配器的多元面貌，並將其語法運用於自身創作之中。本論文共分為六章：第一章「緒論」，說明動機與目的，及研究方法與論文架構；第二章「克倫姆生平簡介與音樂風格」，敘述生平、創作與音樂教育歷程，代表作品則以各編制類型為切入角度進行概述；第三章「克倫姆的音樂語言」，敘述運用圖像記譜的重要作曲家與其代表作，及克倫姆創作手法；第四章「《直上山崗》樂曲分析」，含括各樂章之分述，及《直上山崗》綜合分析；第五章「自我音樂創作理念之實踐」，為筆者研究《直上山崗》後所進行的運用；第六樂章「結論」，總結全文，並提出筆者之研究心得。

George Crumb is currently an active American composer. He attempts to make unique sounds and atmosphere, affected by Claude Debussy, Béla Bartók, Olivier Messiaen, and Luciano Berio. Many of Crumb’s works include music of the western art-music tradition, hymns and folk music, non-Western music and his own compositional ideas. The thesis mainly discusses the diverse facets of sounds and instrument arrangement through researching on Crumb’s Unto the Hills. The thesis is divided into 6 chapters: chapter 1“research motivation＂explains the motivation, purpose, and the methods as well as the structure of the research; chapter 2“the overview of Crumb’s life and musical styles＂narrates his life, compositional and music education background in short, while his important works are according to his different instrumentation; chapter 3“Crumb’s musical language＂makes a description of important composers using graphic notation and their works as well as Crumb’s compositional techniques; chapter 4“an analysis of Unto the Hills＂includes the respective analyses of all movements as well as the analysis of the entire work; chapter 5“the fulfillment in my own compositional ideas＂is the application after the writer finishes the research of Unto the Hills; chapter 6“conclusion＂summarizes the thesis, and the writer proposes her thought after the research.