以複音音樂觀點分析巴赫《Ｃ小調第五號無伴奏大提琴組曲》

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dc.contributor.author洪于淳zh_tw
dc.contributor.authorYu-Chun HUNGen_US
dc.date.accessioned2019-08-12T07:01:38Z
dc.date.available2019-08-12T07:01:38Z
dc.date.issued2019-05-??
dc.description.abstract巴赫（Johann Sebastian Bach, 1685-1750）所作的《第五號無伴奏大提琴組曲》（BWV 1011）令人印象深刻的特點是：第五號是《六組無伴奏大提琴組曲》（Suiten für Violoncello solo, BWV 1007-1012）當中唯一使用「特殊調音法」（Scordatura）的組曲。然而，對於演奏家而言，此曲的難度不在於是否要將A 弦調低一個全音、或是改變定弦音高之後的指法問題，而是如何將大提琴單行樂譜所包含的複音音樂結構，完美地透過獨奏的方式呈現。由於作曲家的手稿早已佚失，因此巴赫根據《第五號無伴奏大提琴組曲》改寫給魯特琴的《G 小調組曲》（BWV 995）成為最能夠瞭解其複音音樂結構的資源。本論文將以巴赫的《G 小調組曲》手稿，以及由德國熊騎士出版社（Bärenreiter-Verlag）所出版，根據作曲家妻子安娜•瑪德蓮娜•巴赫（Anna Magdalena Bach, 1701-1760）手抄版本製作的《第五號無伴奏大提琴組曲》樂譜，作為音樂分析的兩個譜源，藉由比較大提琴與魯特琴版本之差別，思索如何處理隱藏在旋律之中的聲部進行。zh_tw
dc.description.abstractThe most impressive feature of J. S. Bach’s Cello Suite No. 5 in C Minor isthat the fifth suite is the only one among his six cello suites to have appliedscordatura. However, for most cellists, the difficulty of this suite is not to turnthe A string down to G nor the fingering after the change of the open string, butto present the perfect polyphonic structure through a single solo instrument.As Bach’s manuscript has been lost, the Suite in G Minor for Lute (BWV995), which was arranged after Suite No. 5 in C Minor, is the best sourceavailable to better understand the structure of his polyphony. In this paper, theauthor investigates Suite No. 5 in C Minor by juxtaposing Bach’s Suite in GMinor for Lute and Anna Magdalena Bach’s manuscript of Suite No. 5 in CMinor published by Bärenreiter-Verlag. A comparison between the cello and luteeditions unveils the voice-leading hidden within the melodic lines of the work.en_US
dc.identifierBBF86804-941D-B880-7345-BB695645A201
dc.identifier.urihttp://rportal.lib.ntnu.edu.tw:80/handle/20.500.12235/84006
dc.language中文
dc.publisher國立臺灣師範大學音樂學院zh_tw
dc.publisherCollege of Music, NTNUen_US
dc.relation(30)，33-54
dc.relation.ispartof音樂研究學報zh_tw
dc.subject.other巴赫zh_tw
dc.subject.other第五號無伴奏大提琴組曲zh_tw
dc.subject.other魯特琴zh_tw
dc.subject.other複音音樂zh_tw
dc.subject.other聲部進行zh_tw
dc.subject.otherJ. S. Bachen_US
dc.subject.otherSuite No. 5 in C Minoren_US
dc.subject.otherLuteen_US
dc.subject.otherPolyphonyen_US
dc.subject.otherVoice-leadingen_US
dc.title以複音音樂觀點分析巴赫《Ｃ小調第五號無伴奏大提琴組曲》zh-tw
dc.title.alternativeAnalysis of J. S. Bach’s Suite No. 5 inC Minor, BWV 1011 from thePerspective of Polyphonyzh_tw

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