網路生活─彩墨創作論述

Abstract

歷史上科技文明的進步，往往帶來生活型態的轉變。而今日隨著網際網路的興起，時空限制被打破，種族與文化疆界消失，網路地球村逐漸成形，「資訊無國界，溝通零距離。」將不再是口號。網路越來越深入現代人的生活，影響的層面也非常廣泛，網路現象可說是當代的顯學。 藝術反映現實，本研究主要從網路使用者的立場作出發，分三個層面探討網路族群的人際互動。第一是上網時的心理，第二是網路世界中的互動情況，第三是真實世界受到網路互動所影響產生的現象和變化。然後再以宣紙彩墨，超現實的構圖方式表現作品，在藝術創作中實踐。以下將各章節的內容作一簡述： 第一章 包括研究動機和目的、內容與範圍、研究方法與架構。 第二章 首先介紹網路中現有的互動方式，再探討個人在網路與現實生活之間的不同，並進而研究線上交流互動的關係，以及對真實世界的影響。 第三章 談論筆者所認識的台灣網路文化與社會文化，並敘述筆者創作的中西美術思想背景，與表現方式之申論。 第四章 敘述每件作品的創作理念、技法分析和歷程。 第五章 敘述筆者對現代水墨的發展和看法，自身對繪畫創作的態度、感想與自我的期許。The progress of science and technology civilization in the history usually brings the change of life style. Today, with the rising of the internet, the restriction of time and the space has been broken. The race and the cultural boundary have disappeared. The network global village has taken shape gradually. "The information has no national boundary, and communicate has no distances." will never be a slogan any more. The life of the network is more and more concerned the contemporary life. The level with influence is also very extensive, so the phenomenon of network can be cardinal knowledge of the contemporary. The art reflects reality, so this research mainly makes to set out from the position of network user, dividing into three level to study the human relations interaction of the network ethnicity. The first is get to the mental state with internet, the second is the interactive condition of network world, the third is the phenomenon and variety in real-life world which affected from network interaction influence. Then painting with india paper and colored ink, creating works by the composed method of Surrealism , performancing of the art creations. The following will make a concise presentation with each chapter of the content: Chapter 1 includes research motivation and purpose, content and scope, research method and structure. Chapter 2 introduces the interact ways in the network, then treats about the dissimilarity between the network and the realistic life, and then, study the relation of on-line exchanges and interaction, and the influence of the real world. Chapter 3 discusses Taiwanese network culture and social culture which the writer has known and go into details of the writer’s creation background which has been affected by east and west art theories, and accounted the way of performance. Chapter 4 accounts creation principle, skill and process analysis of each works. Chapter 5 describes the writer’s viewpoints of the development and viewpoint of Modern Ink Painting and his attitude with painting creations, feeling and ego to expect to.