東漢音樂思想初探--- 以《白虎通》之樂論為例

Simple item page
dc.contributor許瑞坤zh_TW
dc.contributor.author蔡孟凱zh_TW
dc.date.accessioned2019-09-05T11:54:54Z
dc.date.available2014-8-22
dc.date.available2019-09-05T11:54:54Z
dc.date.issued2014
dc.description.abstract自中國音樂思想發展觀之，漢代無疑可做為一個極具指標性的時代。以樂教思想為核心的前期音樂思想於西周萌芽、春秋戰國發展茁壯、於漢代得到統合與發皇，先秦諸子大異其趣的樂論面貌於漢代得到整合，達到中國樂論發展的高峰。魏晉之後的樂論課題則表現與前朝截然不同的趨向，音樂逐漸從禮樂活動的框架中獨立出來討論，哲人逐漸從音樂活動的實踐中出發，正視音樂的藝術內容。因此，自中國樂論的發展來看，漢代既可以說是一個樂論發展的里程碑，亦可說是 歷來針對中國音樂思想的研究多針對於西漢之前或魏晉之後的樂論探討，對於位於兩者分野的東漢樂論卻鮮為人注目。事實上東漢樂論無論是在對樂教思想的創發與耕耘，或是立足於音樂實踐中對音樂藝術本質的觀照，皆有所獨特之處。本研究以成於東漢章帝時，統合兩漢儒學成就的《白虎通》之樂論為探討對象，企圖藉《白虎通》樂論之梳理與分析，一窺東漢音樂思想之面貌，並進一步審視東漢樂論的歷史定位。本論文分五章，第一章為緒論，第二章為回顧《白虎通》成書背景及其於兩漢學術之地位，第三章及第四章分別自內部理論的剖析及歷史環境的發展來分析《白虎通》之樂教思想及樂律思想、第五章則為結論，總論《白虎通》音樂思想的性格及其於中國樂論發展中的定位，期盼藉此研究為例來鮮少為人注目的東漢樂論研究略盡棉薄之力。zh_TW
dc.description.abstractWhen it comes to the development of ancient Chinese musical thought, the Han dynasty is undoubtedly a historical landmark. The early musical thought that keeps the music cultivation as the central task grew in the Western Zhou dynasty, developing in the Spring and Autumn as well as Warring States periods, and was integrated in the Han dynasty. Since Wei dynasty, the emphasis was different from before, the discussions of music gradually turned to the practices of music activities and its aesthetic content, being independent from the ritual activities. Therefore, from the development of Chinese music theory, the Han dynasty not only is regarded as the peak of musical thought of culture cultivation, but the turning point in the development of Chinese ancient musical thought. Although possessing with its uniqueness, the musical theories of the Eastern Han dynasty were seldom emphasized by studies about Chinese musical thought. However, no matter from the aspect of the development of musical cultivation or that of the consciousness of artistic contents of music, musical theories in the Eastern Han dynasty did present distinctive features and characteristic. The study is focus on the music theories of Bai Hu Tung, a collection of the Confucian study during the Western and Eastern Han dynasty. The purpose is to portray the profile of the musical theories in the Eastern Han dynasty by analyzing the music theories collected by Bai Hu Tung, and further examine the historical position of these theories of the Eastern Han. The study consisted of five chapters. The first chapter brought out the purpose and background of the study. The second chapter introduced the historical circumstance when the Bai Hu Tung was published, and also its academic role in the Han dynasty. The third and the fourth chapters respectively analyzed the thought of music culture cultivation and music temperament in Bai Hu Tung through the interior dissection and the exterior development of era. Last but not least, in the final chapter, the conclusion summed up the characteristics of musical theories in Bai Hu Tung, and its historical position during the history that the Chinese ancient musical thought developed. The study is also dedicated to the academic research towards musictheories in the Eastern Han dynasty.en_US
dc.description.sponsorship民族音樂研究所zh_TW
dc.identifierGN060091002M
dc.identifier.urihttp://etds.lib.ntnu.edu.tw/cgi-bin/gs32/gsweb.cgi?o=dstdcdr&s=id=%22GN060091002M%22.&%22.id.&
dc.identifier.urihttp://rportal.lib.ntnu.edu.tw:80/handle/20.500.12235/107023
dc.language中文
dc.subject東漢zh_TW
dc.subject音樂思想zh_TW
dc.subject樂教思想zh_TW
dc.subject樂律思想zh_TW
dc.subject《白虎通》zh_TW
dc.subjectthe Eastern Han dynastyen_US
dc.subjectmusical thoughtsen_US
dc.subjectthoughts of music culture cultivationen_US
dc.subjectthoughts of music temperamenten_US
dc.subjectBai Hu Tungen_US
dc.title東漢音樂思想初探--- 以《白虎通》之樂論為例zh_TW

Files

Original bundle
Now showing 1 - 1 of 1
No Thumbnail Available
Name:
n060091002m01.pdf
Size:
3.13 MB
Format:
Adobe Portable Document Format
Download

Collections

學位論文